Classics Books

BOOK I SYLVIA AS WIFE 1. I am telling the story of Sylvia Castleman. I should prefer to tell it without mention of myself; but it was written in the book of fate that I should be a decisive factor in her life, and so her story pre-supposes mine. I imagine the impatience of a reader, who is promised a heroine out of a romantic and picturesque "society" world, and finds himself beginning with the... more...

Introduction. i. St. Paul's great Epistle to the Romans was written, as may be quite confidently asserted, from Corinth, during the second visit to Greece recorded in the Acts[], i.e. in the beginning of the year commonly reckoned 58, but perhaps more correctly 56 A.D.—the year following the writing of the Epistles to the Corinthians. The reasons for this confident statement, and indeed for all... more...

INTRODUCTION In one sense this book stands by itself. It is like nothing else I have written, and if one should seek to give it the name of a class, it might be called an historical fantasy. It followed The Trail of the Sword and preceded The Seats of the Mighty, and appeared in the summer of 1895. The critics gave it a reception which was extremely gratifying, because, as it seemed to me, they... more...

M A B E L,A Sketch. DRAMATIS PERSONAE.      ORAN, a Speculative Philosopher.      MABEL, his Wife.      HER FATHER.     MAURICE, }     ROGER, } her brothers. MABEL. SCENE I—A Study. Books, pictures, and sculpture about the room, interspersed with chemical and other instruments, globes, &c.; a singular blending of science with art, indicating a delicate and... more...

INTRODUCTION The following narrative, written over eighty years ago, and now at last given to the world in 1906, is remarkable in many respects. It is remarkable for its subject, for its style, and for its literary history. The subject—a deathbed scene—might seem at first sight to be a trite and common one. The mise-en-scène—the Field of Waterloo—alone however redeems it from such a charge;... more...

PREFACE The pessimistic tone of Continental fiction, and its pronounced preference for minute and morbid analysis, are quite revolutionizing the modern novel. Fiction is ceasing to be a branch of art, and fast becoming, instead, a branch of science. The aim of the novelist, apparently, is to lecture instead of to amuse his readers. Plot, incident, and description are being sacrificed more and more to... more...

CHAPTER ONE—THE TRYING-OUT OF ONE RODNEY PARKER, ASSISTANT ENGINEER All at once the stump-dotted, rocky hillside became clamorous and animated. From the little shacks sheathed with tarred paper, from the sodded huts, from burrows sunk into the hillside men suddenly came popping out with shrill cries. Three men, shouldering surveying instruments, stopped in their tracks on the freshly-heaped soil of a... more...

I. … A long, narrow, graceful steel steamer, with two masts and an orange-yellow chimney,—taking on cargo at Pier 49 East River. Through her yawning hatchways a mountainous piling up of barrels is visible below;—there is much rumbling and rattling of steam- winches, creaking of derrick-booms, groaning of pulleys as the freight is being lowered in. A breezeless July morning, and a dead... more...

I WHAT'S THE MATTER WITH IRELAND? OUT OF A JOB Is Ireland poor? I decided to base my answer to that question on personal investigation. I dressed myself as a working girl—it is to the working class that seven-eighths of the Irish people belong—and in a week in the slums of Dublin I found that lack of employment is continually driving the people to migration, low-wage slavery, or acceptance of... more...

THINGS IN EXPECTATION.   The passing age is acknowledged to be remarkable in various respects. Great advances in matters of practical science; a vast development of individual enterprise, and general prosperity;—at the same time, strange retardations in things of social concern; a singular want of earnestness in carrying out objects of undeniable utility. Much grandeur, but also much meanness of... more...