Classics Books

PREFACE. Greek drama, forerunner of ours, had its origin in the festival of Dionysus, god of wine, which was celebrated with dance, song, and recitative. The recitative, being in character, was improved into the Drama, the chief author of the improvement, tradition says, being Thespis. But the dance and song were retained, and became the Chorus, that peculiar feature of the Greek play. This seems to be... more...

THE PATRICIANS. It was in the year 1568, on the 17th of May, old style, that Althea, the widow of Netz of Bogendorf, sate in her apartments at Schweidnitz. The mourning veil still flowed about her pale beautiful face, while her blue eyes gazed through their tears with melancholy tenderness on the only pledge of a brief yet happy union, the four years' old Henry, who sate upon her knees, and in... more...

I COMPANY AT THE FARM One lovely spring morning long years ago in Hellas, Lydia, wife of Melas the Spartan, sat upon a stool in the court of her house, with her wool-basket beside her, spinning. She was a tall, strong-looking young woman with golden hair and blue eyes, and as she twirled her distaff and twisted the white wool between her fingers she sang a little song to herself that sounded like the... more...

CHAPTER I The telling and reading of stories to children in early years, before they have mastered the art of reading, is of such importance as to awaken the serious thought of parents and teachers. To older people it is a source of constant surprise—the attentive interest which children bestow upon stories. Almost any kind of a story will command their wide-awake thought. But the tale which they can... more...

CHAPTER I “AFTER HIGH FLOODS COME LOW EBBS” Every one knows of my connection with the ill-starred Rebellion of Prince Charles, and for this it was that I found myself, a few months after the disaster of Culloden, lying close in an obscure lodging in Greek Street, Soho, London. Surely a rash proceeding, you may say, this adventuring into the lion's den! But such has not been my experience: in... more...

SIR CHARLES SEDLEY. Sedley was one of those characters who exert a personal fascination over their own age without leaving any works behind them to perpetuate the charm to posterity. He was the son of Sir John Sedley of Aylesford, in Kent, and was born in 1639. When the Restoration took place he repaired to London, and plunged into all the licence of the time, shedding, however, over the putrid pool... more...

1. EFFICIENCY OF LABOUR. Political economists have not overlooked efficiency of labour: they have underestimated its importance in the opinion of Edward Wilson, who has supplied me with the examples and arguments that follow and who has verbally given me leave to publish as much as I like. The English workman, especially in a country town of moderate size, regards capital as unlimited, employment... more...

INTRODUCTION When Richard Steele, in number 555 of his 'Spectator', signed its last paper and named those who had most helped him 'to keep up the spirit of so long and approved a performance,' he gave chief honour to one who had on his page, as in his heart, no name but Friend. This was 'the gentleman of whose assistance I formerly boasted in the Preface and concluding Leaf of... more...

INTRODUCTORY ESSAY We propose to introduce our 'Specimens' by a short Essay on the Origin and Progress of English Poetry on to the days of Chaucer and of Gower. Having called, in conjunction with many other critics, Chaucer 'the Father of English Poetry,' to seek to go back further may seem like pursuing antenatal researches. But while Chaucer was the sun, a certain glimmering dawn... more...

CHAPTER FIRST. FRANCES MEETS THE SPECTACLE MAN."The bridge is broke, and I have to mend it,  Fol de rol de ri do, fol de rol de ri do—"sang the Spectacle Man, leaning his elbows on the show-case, with his hands outspread, and the glasses between a thumb and finger, as he nodded merrily at Frances. Such an odd-looking person as he was! Instead of an ordinary coat he wore a velvet... more...