Classics Books

My dear Cornwall Hollis: With the Allied cause crumbling away it is high time we thought of aesthetics. As a triste jest I said that to you the other day, and your reply was a plea to let you write a preface for a new edition of my forgotten Sonnets from the Patagonian. I am at last persuaded, and who but you should do the preface? With Mitteleuropa a fact it should be apparent to any honest, thinking... more...

The writer has published so much truth which the world has insisted was fiction, and so much fiction which has been received as truth, that, in the present instance, he is resolved to say nothing on the subject. Each of his readers is at liberty to believe just as much, or as little, of the matter here laid before him, or her, as may suit his, or her notions, prejudices, knowledge of the world, or... more...

CHAPTER I. A FAMILY GROUP. One July evening, at the commencement of the present century, several persons were somewhat picturesquely grouped along an old-fashioned terrace which skirted the garden-side of a manor-house that had considerable pretensions to baronial dignity. The architecture was of the most enriched and elaborate style belonging to the reign of James the First: the porch, opening on the... more...

This was the title that distinguished in the art-catalogue of the works exhibited by the Berlin Academy of Arts in September, 1816, a picture which came from the brush of the skilful clever Associate of the Academy, C. Kolbe. There was such a peculiar charm in the piece that it attracted all observers. A Doge, richly and magnificently dressed, and a Dogess at his side, as richly adorned with jewellery,... more...

CHAPTER I.THE HOME ITSELF.Itwas a pleasant place. The house was a large, low, old-fashioned one, with the modern addition of a deep, wide verandah running across its front. Before it was a circular sweep of lawn, fringed with trees; beside it stood a few noble elms, which bent lovingly above the gambrel roof. There were some flower-beds, rather neglected-looking, under the south windows, and there was... more...

CHAPTER I IN THE DEEP WOODS A light wind sang through the foliage, turned to varying and vivid hues now by the touch of autumn, and it had an edge of cold that made Robert Lennox shiver a little, despite a hardy life in wilderness and open. But it was only a passing feeling. A moment or two later he forgot it, and, turning his eyes to the west, watched the vast terraces of blazing color piled one above... more...

INTRODUCTION THE REDISCOVERY OF THE BIBLE In the early Christian centuries thousands turned to the Bible, as drowning men to a life buoy, because it offered them the only way of escape from the intolerable social and moral ills that attended the death pangs of the old heathenism. Then came the Dark Ages, with their resurgent heathenism and barbarism, when the Bible was taken from the hands of the... more...

When a slightly mad robot drunk on AC, wants you to join an experiment in optimum ecology—don't do it! After all, who wants to argue like Disraeli or live like Ivan the Terrible? I Nicholas Martin looked up at the robot across the desk. "I'm not going to ask what you want," he said, in a low, restrained voice. "I already know. Just go away and tell St. Cyr I approve. Tell him I... more...

CHAPTER I THE GENESIS OF PRAGMATISMThere is a curious impression to-day in the world of thought that Pragmatism is the most audacious of philosophic novelties, the most anarchical transvaluation of all respectable traditions. Sometimes it is pictured as an insurgence of emotion against logic, sometimes as an assault of theology upon the integrity of Pure Reason. One day it is described as the reckless... more...

PREFACE. The following addresses, though spoken at different times, are intentionally connected in subject; their aim being to set one or two main principles of art in simple light before the general student, and to indicate their practical bearing on modern design. The law which it has been my effort chiefly to illustrate is the dependence of all noble design, in any kind, on the sculpture or painting... more...