Fiction Books

PREFACE In a work on the "Distribution of Wealth," which was published in 1899, I expressed an intention of offering later to my readers a volume on "Economic Dynamics, or The Laws of Industrial Progress." Though eight years have since passed, that purpose is still unexecuted, and it has become apparent that any adequate treatment of Economic Dynamics will require more than one volume... more...

Chapter I Tool or Man? A complete man is so uncommon that when he appears he is looked upon with suspicion, as if there must be something wrong about him. If a man is content to deal vigorously with affairs, and leave art, religion, and science to the enjoyment or refreshment or enlightenment of others, he is accepted as strong, sounds and wise; but let him add to practical sagacity a love of poetry... more...

PART I IN MEMORY OF THE COMMUNIST MANIFESTO. In three years we can celebrate our jubilee. The memorable date of the publication of the Communist Manifesto (February, 1848) marks our first unquestioned entrance into history. To that date are referred all our judgments and all our congratulations on the progress made by the proletariat in these last fifty years. That date marks the beginning of the new... more...

ESSAY I. Of the truths with which political economy has been enriched by Mr. Ricardo, none has contributed more to give to that branch of knowledge the comparatively precise and scientific character which it at present bears, than the more accurate analysis which he performed of the nature of the advantage which nations derive from a mutual interchange of their productions. Previously to his time, the... more...

DOSTOEVSKI THE life of Dostoevski contrasts harshly with the luxurious ease and steady level seen in the outward existence of his two great contemporaries, Turgenev and Tolstoi. From beginning to end he lived in the very heart of storms, in the midst of mortal coil. He was often as poor as a rat; he suffered from a horrible disease; he was sick and in prison, and no one visited him; he knew the... more...

I LIFE OF STEVENSON Robert Louis Stevenson[1] was born at Edinburgh on the 13 November 1850. His father, Thomas, and his grandfather, Robert, were both distinguished light-house engineers; and the maternal grandfather, Balfour, was a Professor of Moral Philosophy, who lived to be ninety years old. There was, therefore, a combination of Lux et Veritas in the blood of young Louis Stevenson, which in Dr.... more...

ITHE CATFISHBefore the hustling days of ice and of "cutters" rushing to and fro between Billingsgate and our fleets of steam-trawlers on the Dogger Bank, most sailing trawlers and long-line fishing-boats were built with a large tank in their holds, through which the sea flowed freely. Dutch eel-boats are built so still, and along the quays of Amsterdam and Copenhagen you may see such tanks in... more...

The present volume is an attempt to carry out a plan which William James is known to have formed several years before his death. In 1907 he collected reprints in an envelope which he inscribed with the title ‘Essays in Radical Empiricism’; and he also had duplicate sets of these reprints bound, under the same title, and deposited for the use of students in the general Harvard Library, and in the... more...

INTRODUCTION. The sixty-fourth volume of this Library contains those papers from the Tatler which were especially associated with the imagined character of Isaac Bickerstaff, who was the central figure in that series; and in the twenty-ninth volume there is a similar collection of papers relating to the Spectator Club and Sir Roger de Coverley, who was the central figure in Steele and Addison’s... more...

I.   The Beautiful is one of the immortal themes. It cannot die; it grows not old. On the same day with the sun was beauty born, and its life runs parallel with the path of that great beautifier. As a subject for exposition, it is at once easy and difficult: easy, from the affluence of its resources; difficult, from the exactions which its own spirit makes in the use of them. Beauty—what is it? To... more...