Fiction Books

CHAPTER I VIVIE AND NORIE The date when this story begins is a Saturday afternoon in June, 1900, about 3 p.m. The scene is the western room of a suite of offices on the fifth floor of a house in Chancery Lane, the offices of Fraser and Warren, Consultant Actuaries and Accountants. There is a long window facing west, the central part of which is open, affording a passage out on to a parapet. Through... more...

CHAPTER I. ——"How graves give up their dead. And how the night air hideous grows With shrieks!" MIDNIGHT.—THE HAIL-STORM.—THE DREADFUL VISITOR.—THE VAMPYRE. The solemn tones of an old cathedral clock have announced midnight—the air is thick and heavy—a strange, death like stillness pervades all nature. Like the ominous calm which precedes some more than usually terrific outbreak... more...

I February, 1918. I am sick of my life—The war has robbed it of all that a young man can find of joy. I look at my mutilated face before I replace the black patch over the left eye, and I realize that, with my crooked shoulder, and the leg gone from the right knee downwards, that no woman can feel emotion for me again in this world. So be it—I must be a philosopher. Mercifully I have no near... more...

I have been all my life a sort of amphibious animal, having, like many an old Roman, learned to swim long before I had learned to read. The bounding backs of the billows were my only rocking-horse when I was a child, and dearly I loved to ride them when a fresh breeze was blowing. I rarely tired in the water, where I often amused myself for hours together. I grew up with such a liking for the exercise,... more...

PREFACE These scattered leaves from the unwritten school-book of the wilderness have been gathered together for the children of to-day; both as a slight contribution to the treasures of aboriginal folk-lore, and with the special purpose of adapting them to the demands of the American school and fireside. That is to say, we have chosen from a mass of material the shorter and simpler stories and parts of... more...

CHAPTER I A RENCONTRE There was no particular reason why, after having left the Opera House, I should have retraced my steps and taken my place once more amongst the throng of people who stood about in the entresol, exchanging greetings and waiting for their carriages. A backward glance as I had been about to turn into the Place de l'Opera had arrested my somewhat hurried departure. The night was... more...

PROLOGUE. A Castle in Normandy. Interior of the Hall. Roofs of a City seen thro' Windows. HENRY and BECKET at chess. HENRY.So then our good Archbishop TheobaldLies dying. BECKET.I am grieved to know as much. HENRY.But we must have a mightier man than heFor his successor. BECKET.                   Have you thought of one? HENRY.A cleric lately poison'd his own mother,And... more...

Gottfried Keller may fitly be called the greatest narrative writer that Switzerland has ever produced. Born July 19, 1819, near Zurich, he was reared in direst poverty. By dint of the hardest labor and by practicing the utmost frugality, his father was barely able to provide bread for wife and children. But in the midst of this penury the genius of his young son Gottfried expanded. As a mere child he... more...

OLD PORTRAITS AND MODERN SKETCHES Inscribed as follows, when first collected in book-form:—To Dr. G. BAILEY, of the National Era, Washington, D. C., thesesketches, many of which originally appeared in the columns of thepaper under his editorial supervision, are, in their present form,offered as a token of the esteem and confidence which years ofpolitical and literary communion have justified and... more...

THE IMPOVERISHED HERO AND THE SURPASSING DAMSEL Mr. Lionel Mortimer was a young gentleman of few intentions and no private means. Good-humored, by no means ill-looking, and with engaging manners, he was the type of man of whom one would have prophesied great things. His natural gaiety and address were more than enough to carry him over the early stages of acquaintanceship, but subsequent meetings were... more...