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Fiction Books
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                by: 
                                Fay-Cooper Cole                                
            
        
                                 A STUDY IN TINGUIAN FOLK-LORE This paper is based on a collection of Philippine folk-tales recently published by the Field Museum of Natural History. [1] The material appearing in that publication was gathered by the writer during a stay of sixteen months with the Tinguian, a powerful pagan tribe inhabiting the mountain districts of Abra, Ilocos Sur, and Norte, of Northern Luzon. In social...
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                by: 
                                Fay-Cooper Cole                                
            
        
                                 Introduction For the purposes of our study, the tales have been roughly divided into three parts. The first, which deals with the mythical period, contains thirty-one tales of similar type in which the characters are for the most part the same, although the last five tales do not properly fit into the cycle, and the concluding story of Indayo is evidently a recent account told in the form of the older...
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                                 IN THE FORBIDDEN LAND Times: "The ordinary reader will be struck with the portraits, which show that in a very few weeks he must have endured a lifetime of concentrated misery. Other travellers, no doubt, have gone further, but none who have escaped with their lives have fared worse.... Mr. Landor tells a plain and manly tale, without affectation or bravado. It is a book, certainly, that will be...
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                                 CHAPTER I: A STROKE OF GOOD FORTUNE A mounted officer, followed by two orderlies, was proceeding at a brisk trot from Paris to St. Denis, in October, 1639, when he came upon a large party of boys, who, armed with sticks, were advancing in something like military order against a wall on the top of a low hill. "What are you doing?" he asked the lad who appeared to be the leader. "We are...
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                                 PREFACE. There were four of us pilgrims—my Wife, our Boy of ten and a half years, the Doctor, and I. My object in going—the others went for the outing—was to gather "local color" for work in Western history. The Ohio River was an important factor in the development of the West. I wished to know the great waterway intimately in its various phases,—to see with my own eyes what the...
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                                 LECTURE I. It is my privilege to address you this afternoon on a subject in which science and poetry are blended in a happy conjunction. If there be a peculiar fascination about the earlier chapters of any branch of history, how great must be the interest which attaches to that most primeval of all terrestrial histories which relates to the actual beginnings of this globe on which we stand. In our...
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                                 CHAPTER I A FORBIDDEN COUNTRY Tibet was a forbidden land. That is why I went there. This strange country, cold and barren, lies on a high tableland in the heart of Asia. The average height of this desolate tableland—some 15,000 feet above sea-level—is higher than the highest mountains of Europe. People are right when they call it the "roof of the world." Nothing, or next to nothing, grows...
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                                 I Once upon a time there was a beautiful palace where the king’s children lived as happily as they alone can live. They never wanted anything and they never knew that there could be others who were not as happy as they. Sometimes, it is true, they would hear a story which would make them almost think that perhaps there was a world beyond, which they did not know, outside the palace of the king and...
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                                 Three White Ones. Tick, tap, tap—tap, ticker—ticker—tapper—tapper; tick—teck, tacker—tap went a typewriting machine, and scratch—scratch went two pens, in one of the minor offices connected with that vast wealth-producing industry known as the De Beers Diamond-Mines, where, seated at desk and table, three young men were hard at work, one manipulating the typewriter, one writing a letter,...
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                                 THE WOLVES AND THE LAMB. ACT I. Scene.—MILLIKEN'S villa at Richmond; two drawing-rooms opening into one another. The late MRS. MILLIKEN'S portrait over the mantel-piece; bookcases, writing-tables, piano, newspapers, a handsomely furnished saloon. The back-room opens, with very large windows, on the lawn and pleasure-ground; gate, and wall—over which the heads of a cab and a carriage are...
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