Fiction Books

oe Doolin's my name. Cowhand—work for old Farrel over at Lazy F beyond the Pass. Never had much of anything exciting happen to me—just punched cows and lit up on payday—until the day I happened to ride through the Pass on my way to town and saw young Buck Tarrant's draw. Now, Buck'd always been a damn good shot. Once he got his gun in his hand he could put a bullet right where he... more...

ACT THE FIRST. SCENE I. The Grove.—Lady Waitfor't's House. Enter Marianne, and Letty, from the House. Mari. But I tell you I will come out—I didn't come to Bath to be confined, nor I won't—I hate all their company, but sweet Miss Courtney's. Letty. I declare, Miss Marianne, you grow worse and worse every day, your country manners will be the ruin of you. Mari. Don't... more...

ADVERTISEMENT. [Prefaced to Edition issued in 1808, edited by Sir Walter Scott.] After the lapse of more than a century since the author's death, the Works of Dryden are now, for the first time, presented to the public in a complete and uniform edition. In collecting the pieces of one of our most eminent English classics,—one who may claim at least the third place in that honoured list, and who... more...

INTRODUCTION The first volume of the present edition of Hauptmann's Dramatic Works is identical in content with the corresponding volume of the German edition. In the second volume The Rats has been substituted for two early prose tales which lie outside of the scope of our undertaking. Hence these two volumes include that entire group of dramas which Hauptmann himself specifically calls social.... more...

INTRODUCTION I Gerhart Hauptmann, the most distinguished of modern German dramatists, was born in the Silesian village of Obersalzbrunn on November 15, 1862. By descent he springs immediately from the common people of his native province to whose life he has so often given the graveness of tragedy and the permanence of literature. His grandfather, Ehrenfried, felt in his own person the bitter fate of... more...

Since Luther, Germany has produced no greater or better man than Gotthold Ephraim Lessing; these two are Germany's pride and joy. This is the witness of Heine, and with Goethe in memory, none would pronounce the statement too bold. Luther and Lessing are Germany's representative men; each inaugurates an epoch the very existence of which would not have been possible without him. Nor is this... more...

Introduction This investigation was prompted by the abiding conviction that Plautus as a dramatic artist has been from time immemorial misunderstood. In his progress through the ages he has been like a merry clown rollicking amongst people with a hearty invitation to laughter, and has been rewarded by commendation for his services to morality and condemnation for his buffoonery. The majority of... more...

The Drama of Glass was an inspiration born in the brain of Kate Field, as she watched the busy workmen, who with trained eyes and skillful hands, wrought out the products of one of America's great industries that found a temporary home in the World's Fair at Chicago. It is an addition to the long list of brilliant writings of this versatile woman, whose literary labors have made her memory so... more...

CHAPTER I THE NIGHT OF THE STORM It had been a magnificent afternoon, so wonderful that Leslie hated to break the spell. Reluctantly she unrolled herself from the Indian blanket, from which she emerged like a butterfly from a cocoon, draped it over her arm, picked up the book she had not once opened, and turned for a last, lingering look at the ocean. A lavender haze lay lightly along the horizon.... more...

The old folks call it Yeddo. To the young, "Tokyo" has a pleasant, modern sound, and comes glibly. But whether young or old, those whose home it is know that the great flat city, troubled with green hills, cleft by a shining river, and veined in living canals, is the central spot of all the world. Storms visit Tokyo,—with fury often, sometimes with destruction. Earthquakes cow it; snow falls... more...