Fiction Books

APPENDIX II. The two dialogues which are translated in the second appendix are not mentioned by Aristotle, or by any early authority, and have no claim to be ascribed to Plato. They are examples of Platonic dialogues to be assigned probably to the second or third generation after Plato, when his writings were well known at Athens and Alexandria. They exhibit considerable originality, and are remarkable... more...

SIR PERCY EXPLAINS It was not, Heaven help us all! a very uncommon occurrence these days: a woman almost unsexed by misery, starvation, and the abnormal excitement engendered by daily spectacles of revenge and of cruelty. They were to be met with every day, round every street corner, these harridans, more terrible far than were the men. This one was still comparatively young, thirty at most; would have... more...

Chapter I. Par. "Mars dote on you for his novices." All's Well that ends Well. No one, who is familiar with the bustle and activity of an American commercial town, would recognize, in the repose which now reigns in the ancient mart of Rhode Island, a place that, in its day, has been ranked amongst the most important ports along the whole line of our extended coast. It would seem, at the... more...

There was nothing, especially on Earth, which could set him free—the truth least of all! Dane Phillips slouched in the window seat, watching the morning crowds on their way to work and carefully avoiding any attempt to read Jordan's old face as the editor skimmed through the notes. He had learned to make his tall, bony body seem all loose-jointed relaxation, no matter what he felt. But the... more...

THE WOLVES AND THE LAMB. ACT I. Scene.—MILLIKEN'S villa at Richmond; two drawing-rooms opening into one another. The late MRS. MILLIKEN'S portrait over the mantel-piece; bookcases, writing-tables, piano, newspapers, a handsomely furnished saloon. The back-room opens, with very large windows, on the lawn and pleasure-ground; gate, and wall—over which the heads of a cab and a carriage are... more...

The Iphigenia in Tauris is not in the modern sense a tragedy; it is a romantic play, beginning in a tragic atmosphere and moving through perils and escapes to a happy end. To the archaeologist the cause of this lies in the ritual on which the play is based. All Greek tragedies that we know have as their nucleus something which the Greeks called an Aition—a cause or origin. They all explain some... more...

Chapter First How Sir Launcelot Came Forth From the Enchanted Castle of the Lake and Entered Into the World Again, and How King Arthur Made Him Knight.Of the springtime of long ago.I know not any time of the year that is more full of joyfulness than the early summer season; for that time the sun is wonderfully lusty and strong, yet not so very hot; that time the trees and shrubs are very full of life... more...

Chapter I - The Kissing Of Miss Grace Sheraton I admit I kissed her. Perhaps I should not have done so. Perhaps I would not do so again. Had I known what was to come I could not have done so. Nevertheless I did. After all, it was not strange. All things about us conspired to be accessory and incendiary. The air of the Virginia morning was so soft and warm, the honeysuckles along the wall were so... more...

1890 In these days of Public Schools and extended facilities for popular education it would be difficult to find many people unaccustomed to the use of steel pens, but although the manufacture of this article by presses and tools must have been introduced during the first quarter of the present century, the inquirer after knowledge would scarcely find a dozen persons who could give any definite... more...

CHAPTER I Fog. A London fog, solid, substantial, yellow as an old dog's tooth or a jaundiced eye. You could not look through it, nor yet gaze up and down it, nor over it; and you only thought you saw it. The eye became impotent, untrustworthy; all senses lay fallow except that of touch; the skin alone conveyed to you with promptness and no incertitude that this thing had substance. You could feel... more...