Fiction Books

CHAPTER I Having made final inspection of the knots of her shoe-laces and the fastenings of her skirt, Janet turned toward her "perfectly horrid" oilcoat, which, as usual, had spent the night on the floor. As it would never come off till she had tortured her fingers on the edges of its big rusty buttons, she always parted from it on unpleasant terms, casting it from her; whereupon this... more...

TEXTILES AND CLOTHING Origin of Textile ArtsSpinning and weaving are among the earliest arts. In the twisting of fibers, hairs, grasses, and sinews by rolling them between the thumb and fingers, palms of the hands, or palms and naked thigh, we have the original of the spinning wheel and the steam-driven cotton spindle; in the roughest plaiting we have the first hint of the finest woven cloth. The need... more...

CHAPTER I. THE CITY IN THE WILDERNESS. "What, are you stepping westward?" "Yea." Yet who would stop or fear to advance,Though home or shelter there was none,With such a sky to lead him on!"—WORDSWORTH. "Ah! cool night wind, tremulous stars,Ah! glimmering water,Fitful earth murmur,Dreaming woods!"—ARNOLD. In A. D. sixteen hundred and ninety-two, a few Franciscan monks... more...

CHAPTER I All the materials used in the manufacture of clothing are called textiles and are made of either long or short fibers. These fibers can be made into a continuous thread. When two different sets of threads are interlaced, the resulting product is called cloth. The value of any fiber for textile purposes depends entirely upon the possession of such qualities as firmness, length, curl, softness,... more...

THE HOME ON THE FRONTIER. "Dan! Dan! Come quick and see what I brought down with the gun!" "Why, Ralph, was that you I heard shooting? I thought it was father." "No; I was out, down by the river bank, and I brought down the finest deer you ever set eyes on. He was under the bunch of pecan-trees, and I let him have it straight in the neck and brought him down the first crack. Now... more...

CHAPTER FIRST. THE LANDSCAPE OF THE STORY. I see old Sylvester Peabody—the head of the Peabody family—seated in the porch of his country dwelling, like an ancient patriarch, in the calm of the morning. His broad-brimmed hat lies on the bench at his side, and his venerable white locks flow down his shoulders, which time in one hundred seasons of battle and sorrow, of harvest and drouth, of toil and... more...

"Is all our company here?" —Midsummer Night's Dream. Yes, he was a strolling player pure and simple. He was an actor by profession, and jack of all trades through necessity. He could play any part from Macbeth to the hind leg of an elephant, equally well or bad, as the case might be. What he did not know about a theatre was not worth knowing; what he could not do about a playhouse was... more...

THE THAMES AT SINODUN HILL Fresh water is almost the oldest thing on earth. While the rocks have been melted, the sea growing salter, and the birds and beasts perfecting themselves or degenerating, the fresh water has been always the same, without change or shadow of turning. So we find in it creatures which are inconceivably old, still living, which, if they did not belong to other worlds than ours,... more...

THE WOLVES AND THE LAMB. ACT I. Scene.—MILLIKEN'S villa at Richmond; two drawing-rooms opening into one another. The late MRS. MILLIKEN'S portrait over the mantel-piece; bookcases, writing-tables, piano, newspapers, a handsomely furnished saloon. The back-room opens, with very large windows, on the lawn and pleasure-ground; gate, and wall—over which the heads of a cab and a carriage are... more...

Three White Ones. Tick, tap, tap—tap, ticker—ticker—tapper—tapper; tick—teck, tacker—tap went a typewriting machine, and scratch—scratch went two pens, in one of the minor offices connected with that vast wealth-producing industry known as the De Beers Diamond-Mines, where, seated at desk and table, three young men were hard at work, one manipulating the typewriter, one writing a letter,... more...