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ACT I On the heights overlooking the harbor of Mogador, a seaport on the west coast of Morocco, the missionary, in the coolness of the late afternoon, is following the precept of Voltaire by cultivating his garden. He is an elderly Scotchman, spiritually a little weatherbeaten, as having to navigate his creed in strange waters crowded with other craft but still a convinced son of the Free Church and... more...

INTRODUCTION The City Bride, by Joseph Harris, is of special interest as the only adaptation from the canon of John Webster to have come upon the stage in the Restoration. Nahum Tate’s Injur’d Love: or, The Cruel Husband is an adaptation of The White Devil, but it was never acted and was not printed until 1707. The City Bride is taken from A Cure for a Cuckold, in which William Rowley and perhaps... more...

PREFACE A nice phrase: "A People's Theatre." But what about it? There's no such thing in existence as a People's Theatre: or even on the way to existence, as far as we can tell. The name is chosen, the baby isn't even begotten: nay, the would-be parents aren't married, nor yet courting. A People's Theatre. Note the indefinite article. It isn't The... more...

ACT I SCENE I The palace of the king of burmah.  The scene is laid in the Hall of a Hundred Doors.  In the distance can be seen the moat, the waiting elephants, and the peacocks promenading proudly in the blinding sunshine of late afternoon.  The scene discovers king meng beng seated on a raised cushion sewn with rubies, under a canopy supported by four attendants, motionless as bronze figures.  By... more...

ANNAJANSKA is frankly a bravura piece. The modern variety theatre demands for its "turns" little plays called sketches, to last twenty minutes or so, and to enable some favorite performer to make a brief but dazzling appearance on some barely passable dramatic pretext. Miss Lillah McCarthy and I, as author and actress, have helped to make one another famous on many serious occasions, from Man... more...

ACT I SCENE I The study of JOHN BUILDER in the provincial town of Breconridge.A panelled room wherein nothing is ever studied, except perhapsBUILDER'S face in the mirror over the fireplace. It is, however,comfortable, and has large leather chairs and a writing table in thecentre, on which is a typewriter, and many papers. At the back is alarge window with French outside shutters, overlooking the... more...

AUGUSTUS DOES HIS BIT The Mayor's parlor in the Town Hall of Little Pifflington. Lord Augustus Highcastle, a distinguished member of the governing class, in the uniform of a colonel, and very well preserved at forty-five, is comfortably seated at a writing-table with his heels on it, reading The Morning Post. The door faces him, a little to his left, at the other side of the room. The window is... more...

As will be seen later on, Pygmalion needs, not a preface, but a sequel, which I have supplied in its due place. The English have no respect for their language, and will not teach their children to speak it. They spell it so abominably that no man can teach himself what it sounds like. It is impossible for an Englishman to open his mouth without making some other Englishman hate or despise him. German... more...

Actus Primus. Scena Prima. Enter Dinant, a[n]d Cleremont. Din. Disswade me not. Clere. It will breed a brawl. Din. I care not, I wear a Sword. Cler. And wear discretion with it,Or cast it off, let that direct your arm,'Tis madness else, not valour, and more baseThan to receive a wrong. Din. Why would you have meSit down with a disgrace, and thank the doer?We are not Stoicks, and that passive... more...

PROLOGUE The tableau curtains are closed. An English archdeacon comes through them in a condition of extreme irritation. He speaks through the curtains to someone behind them. THE ARCHDEACON. Once for all, Ermyntrude, I cannot afford to maintain you in your present extravagance. [He goes to a flight of steps leading to the stalls and sits down disconsolately on the top step. A fashionably dressed lady... more...