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                by: 
                                Mrs. Inchbald                                
            
        
                                 REMARKS. This tragedy has been so rapturously applauded on the stage, and so severely criticised in the closet, that it is a task of peculiar difficulty to speak either of its beauties or its defects, with any degree of certainty. To conciliate both the auditor and the reader, both the favourable and the unfavourable critic, the "Grecian Daughter" demands a set of Remarks for each side of the...
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                by: 
                                Ben Jonson                                
            
        
                                 INTRODUCTION THE greatest of English dramatists except Shakespeare, the first literary dictator and poet-laureate, a writer of verse, prose, satire, and criticism who most potently of all the men of his time affected the subsequent course of English letters: such was Ben Jonson, and as such his strong personality assumes an interest to us almost unparalleled, at least in his age. Ben Jonson came of the...
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                by: 
                                John Galsworthy                                
            
        
                                 ACT I The scene is the managing clerk's room, at the offices of Jamesand Walter How, on a July morning. The room is old fashioned,furnished with well-worn mahogany and leather, and lined withtin boxes and estate plans. It has three doors. Two of themare close together in the centre of a wall. One of these twodoors leads to the outer office, which is only divided from themanaging clerk's room...
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                                 INTRODUCTION The City Bride, by Joseph Harris, is of special interest as the only adaptation from the canon of John Webster to have come upon the stage in the Restoration. Nahum Tate’s Injur’d Love: or, The Cruel Husband is an adaptation of The White Devil, but it was never acted and was not printed until 1707. The City Bride is taken from A Cure for a Cuckold, in which William Rowley and perhaps...
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                by: 
                                Anonymous                                
            
        
                                 INTRODUCTION By craftsmen and mean men, these pageants are played,And to commons and countrymen accustomably before:If better men and finer heads now come, what can be said? The pageants of the old English town-guilds, and the other mysteries and interludes that follow, have still an uncommon reality about them if we take them in the spirit in which they were originally acted. Their office as the...
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                by: 
                                William Congreve                                
            
        
                                 TO THERIGHT HONOURABLE CHARLES MONTAGUE,ONE OF THE LORDS OF THE TREASURY. Sir,—I heartily wish this play were as perfect as I intended it, that it might be more worthy your acceptance, and that my dedication of it to you might be more becoming that honour and esteem which I, with everybody who is so fortunate as to know you, have for you.  It had your countenance when yet unknown; and now it is made...
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                by: 
                                Bernard Shaw                                
            
        
                                 THE ALLEVIATIONS OF MONOGAMY. This piece is not an argument for or against polygamy. It is a clinical study of how the thing actually occurs among quite ordinary people, innocent of all unconventional views concerning it. The enormous majority of cases in real life are those of people in that position. Those who deliberately and conscientiously profess what are oddly called advanced views by those...
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                by: 
                                Oscar Wilde                                
            
        
                                 FIRST ACT SCENE The octagon room at Sir Robert Chiltern’s house in Grosvenor Square. [The room is brilliantly lighted and full of guests.  At the top of the staircase stands lady chiltern, a woman of grave Greek beauty, about twenty-seven years of age.  She receives the guests as they come up.  Over the well of the staircase hangs a great chandelier with wax lights, which illumine a large...
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                by: 
                                Francis Beaumont                                
            
        
                                Actus PrimusScena Prima Enter Gaspero, and Melitus MelitusSir, you're the very friend I wish'd to meet with,I have a large discourse invites your earTo be an Auditor. GasperoAnd what concerns it? MelitusThe sadly thriving progress of the lovesBetween my Lord, the Prince, and that great Lady,Whose insolence, and never-yet-match'd Pride,Can by no Character be well exprest,But in her only...
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                by: 
                                John Galsworthy                                
            
        
                                 SCENE I It is just after sunset of an August evening. The scene is aroom in a mountain hut, furnished only with a table, benches.and a low broad window seat. Through this window three rockypeaks are seen by the light of a moon which is slowly whiteningthe last hues of sunset. An oil lamp is burning. SEELCHEN, amountain girl, eighteen years old, is humming a folk-song, andputting away in a cupboard...
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