American Books

Very little is known about the author of "The Politician Out-witted," a play which I have selected as representative of the efforts of the American drama, as early as 1789, to reflect the political spirit of the time. Assiduous search on the part of the present editor has failed to bring to light any information from any of the historical societies regarding Mr. Low, except that he was born on... more...

Act One Act One: Scene One The kitchen of the Carmody home on the outskirts of a manufacturing town in Connecticut. On the left, forward, the sink. Farther back, two windows looking out on the yard. In the left corner, rear, the icebox. Immediately to the right of it, in the rear wall, a window opening on the side porch. To the right of this, a china cupboard, and a door leading into the hall where the... more...

ACT I Scene 1 [Scene: A garden of the palace at Fiori; four years later.] [Discovered seated Laura, Francesca and Fidelio, Laura embroidering,Fidelio strumming his flute, Francesca lost in thought.] LAURA. You,—Fool! If there be two chords to your lute,Give us the other for a time! FRANCESCA. And yet, Laura,I somewhat fancied that soft sound he made.'Twas all on the same tone,—but 'twas a... more...

ACT I SCENE—Living-room of CURTIS JAYSON'S house in Bridgetown, Conn. A large, comfortable room. On the left, an arm-chair, a big open fireplace, a writing desk with chair in far left corner. On this side there is also a door leading into CURTIS' study. In the rear, center, a double doorway opening on the hall and the entryway. Bookcases are built into the wall on both sides of this... more...

LANGDON MITCHELL (Born Philadelphia, Pa., February 17, 1862) The performance of "The New York Idea" at the Lyric Theatre, New York, on November 19, 1906, was one of the rare, distinguished events in the American Theatre. It revealed the fact that at last an American playwright had written a drama comparable with the very best European models, scintillating with clear, cold brilliancy, whose... more...

MR. AND MRS. EDWARD ROBERTS; THE CHOREWOMAN Mrs. Roberts, with many proofs of an afternoon's shopping in her hands and arms, appears at the door of the ladies' room, opening from the public hall, and studies the interior with a searching gaze, which develops a few suburban shoppers scattered over the settees, with their bags and packages, and two or three old ladies in the rocking-chairs. The... more...

Mrs. Edward Roberts: "Now, my dear, Amy and I will get there early, so as to make up for your coming a little late, but you must be there for the last half, at least. I would excuse you altogether if I could, for I know you must be dead tired, up all night, that way, on the train, but Mrs. Miller is one of those people who never can listen to reason, and she would take deadly offence if you missed... more...

Mrs. Campbell: "Now this, I think, is the most exciting part of the whole affair, and the pleasantest." She is seated at breakfast in her cottage at Summering-by-the-Sea. A heap of letters of various stylish shapes, colors, and superscriptions lies beside her plate, and irregularly straggles about among the coffee-service. Vis-à-vis with her sits Mr. Campbell behind a newspaper. "How... more...

ACT I [JULIA PATTERSON'S apartments in a model tenement on the lower East Side. The scene shows the living-room, furnished very plainly, but in the newest taste; "arts and crafts" furniture, portraits of Morris and Ruskin on the walls; a centre table, a couple of easy-chairs, a divan and many book-shelves. The entrance from the outer hall is at centre; entrance to the other rooms right and... more...

ACT I The sitting-room of Forest Corner, MRS. BRAMSON'S _bungalow in a forest in Essex, A fine morning in October. Centre back, a small hall; in its left side the front door of the house (throughout the play, "left" and "right" refer to the audience's left and right). Thick plush curtains can be drawn across the entrance to the hall; they are open at the moment. Windows, one... more...