Drama Books

INTRODUCTION For the last twenty years Leonid Andreyev and Maxim Gorky have by turns occupied the centre of the stage of Russian literature. Prophetic vision is no longer required for an estimate of their permanent contribution to the intellectual and literary development of Russia. It represents the highest ideal expression of a period in Russian history that was pregnant with stirring and... more...

ACT I On the heights overlooking the harbor of Mogador, a seaport on the west coast of Morocco, the missionary, in the coolness of the late afternoon, is following the precept of Voltaire by cultivating his garden. He is an elderly Scotchman, spiritually a little weatherbeaten, as having to navigate his creed in strange waters crowded with other craft but still a convinced son of the Free Church and... more...

PREFACE If I have turned aside from Euripides for a moment and attempted a translation of the great stage masterpiece of Sophocles, my excuse must be the fascination of this play, which has thrown its spell on me as on many other translators. Yet I may plead also that as a rule every diligent student of these great works can add something to the discoveries of his predecessors, and I think I have been... more...

SAKUNTALA or THE LOST RING. In ancient days, there was a mighty king of the Lunar dynasty by name Dushyanta. He was the king of Hastinapur. He once goes out a-hunting and in the pursuit of a deer comes near the hermitage of the sage Kanwa, the chief of the hermits, where some anchorites request him not to kill the deer. The king feels thirsty and was seeking water when he saw certain maidens of the... more...

ACT I. SCENE I.——ARGAN (sitting at a table, adding up his apothecary's bill with counters). Arg. Three and two make five, and five make ten, and ten make twenty. "Item, on the 24th, a small, insinuative clyster, preparative and gentle, to soften, moisten, and refresh the bowels of Mr. Argan." What I like about Mr. Fleurant, my apothecary, is that his bills are always civil. "The... more...

INTRODUCTION The Inspector-General is a national institution. To place a purely literary valuation upon it and call it the greatest of Russian comedies would not convey the significance of its position either in Russian literature or in Russian life itself. There is no other single work in the modern literature of any language that carries with it the wealth of associations which the Inspector-General... more...

INTRODUCTION These five plays were written, in the order in which they appear now, during the years 1916 and 1917. They would hardly have been written had it not been for the war, although only one of them is concerned with that subject. To his other responsibilities the Kaiser now adds this volume. For these plays were not the work of a professional writer, but the recreation of a (temporary)... more...

INTRODUCTION The three plays here presented were the outcome of a period when Björnson's views on many topics were undergoing a drastic revision and he was abandoning much of his previous orthodoxy in many directions. Two of them were written during, and one immediately after, a three years' absence from Norway—years spent almost entirely in southern Europe. [Note: Further details... more...

I Erhabener Geist, im Geisterreich verloren! Wo immer Deine lichte Wohnung sey,Zum höh'ren Schaffen bist Du neugeboren,Und singest dort die voll're Litanei.Von jenem Streben das Du auserkoren,Vom reinsten Aether, drin Du athmest frei,O neige Dich zu gnädigem ErwiedernDes letzten Wiederhalls von Deinen Liedern! II Den alten Musen die bestäubten KronenNahmst Du, zu neuem Glanz, mit kühner... more...

SCENE I.—The Upper Chamber in Holyrood. The four MARIES. MARY BEATON (sings):—   1.  Le navire  Est a l'eau;  Entends rire  Ce gros flot  Que fait luire  Et bruire  Le vieux sire  Aquilo.   2.  Dans l'espace  Du grand air  Le vent passe  Comme un fer;  Siffle et sonne,  Tombe et tonne,  Prend et donne  A la mer.   3.  Vois, la brise  Tourne au... more...