Artists, Architects, Photographers Books

PAINTER OF SIENA If those who labour to become excellent in some art did not very often have the thread of life cut by death in their best years, I have no doubt that many intellects would arrive at that rank which is most desired both by them and by the world. But the short life of men and the bitterness of various accidents, which threaten them from all sides, snatch them from us sometimes... more...

Having written hitherto of the lives and works of the most excellent painters, sculptors, and architects, from Cimabue down to the present day, who have passed to a better life, and having spoken with the opportunities that came to me of many still living, it now remains that I say something of the craftsmen of our Academy of Florence, of whom up to this point I have not had occasion to speak at... more...

W psychoanalytic investigation, which usually contents itself with frail human material, approaches the great personages of humanity, it is not impelled to it by motives which are often attributed to it by laymen. It does not strive "to blacken the radiant and to drag the sublime into the mire"; it finds no satisfaction in diminishing the distance between the perfection of the great and the... more...

TRANSLATOR'S PREFACE TO THIS EDITION Vasari introduces himself sufficiently in his own prefaces and introduction; a translator need concern himself only with the system by which the Italian text can best be rendered in English. The style of that text is sometimes laboured and pompous; it is often ungrammatical. But the narrative is generally lively, full of neat phrases, and abounding in quaint... more...

Seeing that it is no less necessary for sculptors to have mastery over their carving-tools than it is for him who practises painting to be able to handle colours, it therefore happens that many who work very well in clay prove to be unable to carry their labours to any sort of perfection in marble; and some, on the contrary, work very well in marble, without having any more knowledge of design than a... more...

LIFE OF NICCOLÒ, CALLED TRIBOLOSCULPTOR AND ARCHITECT Raffaello the carpenter, surnamed Il Riccio de' Pericoli, who lived near the Canto a Monteloro in Florence, had born to him in the year 1500, as he used to tell me himself, a male child, whom he was pleased to call at baptism, like his own father, Niccolò; and having perceived that the boy had a quick and ready intelligence and a lofty... more...

I A BIOGRAPHICAL OUTLINE In July of 1904 the eighty-seven mortal years of George Frederick Watts came to an end. He had outlived all the contemporaries and acquaintances of his youth; few, even among the now living, knew him in his middle age; while to those of the present generation, who knew little of the man though much of his work, he appeared as members of the Ionides family, thus inaugurating the... more...

DONATELLO The materials for a biography of Donatello are so scanty, that his life and personality can only be studied in his works. The Renaissance gave birth to few men of productive genius whose actual careers are so little known. Unlike many of his contemporaries, Donatello composed no treatise on his art; he wrote no memoir or commentary, no sonnets, and indeed scarcely a letter of his even on... more...

When Pietro Perugino, by that time an old man, was painting the altar-piece of the high-altar of the Servites at Florence, a nephew of Giuliano and Antonio da San Gallo, called Bastiano, was placed with him to learn the art of painting. But the boy had not been long with Perugino, when he saw the manner of Michelagnolo in the cartoon for the Hall, of which we have already spoken so many times, in the... more...

While the most noble and industrious spirits were striving, by the light of the famous Giotto and of his followers, to give to the world a proof of the ability that the benign influence of the stars and the proportionate admixture of humours had given to their intellects, and while, desirous to imitate with the excellence of their art the grandeur of Nature in order to approach as near as possible to... more...