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PREFACE My dear Boys:—The sea stretches away from the land,—a vast sheet of unknown possibilities. Now gray, now blue, now slate colored, whipped into a thousand windrows by the storm, churned into a seething mass of frothing spume and careening bubbles, it pleases, lulls, then terrorizes and dismays. Perpetually intervening as a barrier between peoples and their countries, the wild, sobbing ocean... more...

INTRODUCTION None of the minor incidents in our naval history has inspired so many writers as the Mutiny of the Bounty. Histories, biographies and romances, from Bligh's narrative in 1790 to Mr. Becke's "Mutineers" in 1898, have been founded upon it; Byron took it for the theme of the least happy of his dramatic poems; and all these, not because the mutiny left any mark upon history,... more...

PREFACE Many attempts have been made by writers on art and poetry to define beauty in the abstract, to express it in the most general terms, to find a universal formula for it. The value of these attempts has most often been in the suggestive and penetrating things said by the way. Such discussions help us very little to enjoy what has been well done in art or poetry, to discriminate between what is... more...

TO THE READER. The revolution of the 20th of March will form unquestionably the most remarkable episode in the life of Napoleon, so fertile as it is in supernatural events. It has not been my intention, to write the history of it: this noble task is above my powers: I have only attempted, to place Napoleon on the stage of action, and oppose his words, his deeds, and the truth, to the erroneous... more...

CHAPTER I THE RECOVERERS OF REMBRANDT Imagine a man, a citizen of London, healthy, middle-aged, successful in business, whose interest in golf is as keen, according to his lights and limitations, as the absorption of Rembrandt in art. Suppose this citizen, having one day a loose half-hour of time to fill in the neighbourhood of South Kensington, remembers the articles he has skimmed in the papers about... more...

CHAPTER I ENGLISH POETS, FRIENDS AND ENTHUSIASMS To any one casually trying to recall what England has given Robert Browning by way of direct poetical inspiration, it is more than likely that the little poem about Shelley, "Memorabilia" would at once occur: I"Ah, did you once see Shelley plain,And did he stop and speak to youAnd did you speak to him again?How strange it seems and new!... more...

CHAPTER I. To produce a good balance staff requires more skill than to produce any other turned portion of a watch, and your success will depend not alone on your knowledge of its proper shape and measurements, nor the tools at your command, but rather upon your skill with the graver and your success in hardening and tempering. There are many points worthy of consideration in the making of a balance... more...

The Panama Canal conflict is due to the fact that the Governments of Great Britain and the United States do not agree upon the interpretation of Article III, No. 1, of the Hay-Pauncefote Treaty of September 18, 1901, which stipulates as follows:— "The Canal shall be free and open to the vessels of commerce and of war of all nations..., on terms of entire equality, so that there shall be no... more...

The few pages of which the present edition is composed, were principally written under the circumstances there stated, which had forcibly called my attention to the fatal effects of those ever-recurring tempests, which scatter devastation and misery round our coasts, where the veteran commander and his hardy crew, with their helpless passengers of every age and station in life, are left wretchedly to... more...

"HOW PLEASANT TO KNOW MR. LEAR!" "How pleasant to know Mr. Lear!"Who has written such volumes of stuff! Some think him ill-tempered and queer,But a few think him pleasant enough. His mind is concrete and fastidious,His nose is remarkably big; His visage is more or less hideous,His beard it resembles a wig. He has ears, and two eyes, and ten fingers,Leastways if you reckon two thumbs;... more...