Non-Classifiable Books

INTRODUCTION This book with its sad, reiterated story of wrong and oppression is an indictment and an appeal. It is an indictment of the system which produces results so pitiful. It is an appeal to Christian womanhood to right these wrongs and enlighten this darkness by sacrifice and service. At the recent Mohammedan Educational Conference in Bombay the president of the gathering, the Agha Khan,... more...

I. WITH DU MAURIER AND FRIENDS. "I well remember" my first meeting with du Maurier in the class-rooms of the famous Antwerp Academy. I was painting and blagueing, as one paints and blagues in the storm and stress period of one's artistic development. It had been my good fortune to commence my studies in Paris; it was there, in the atelier Gleyre, I had cultivated, I think I may say, very... more...

INTRODUCTION "WEDNESDAY 19 JANUARY [1763]. This was a day eagerly expected by Dempster, Erskine, and I, as it was fixed as the period of our gratifying a whim proposed by me: which was that on the first day of the new Tragedy called Elvira's being acted, we three should walk from the one end of London to the other, dine at Dolly's, & be in the Theatre at night; & as the Play would... more...

MEMORIAL DISCOURSE. "In the day of adversity consider." It is the day of adversity. A great grief throws its shadow over heart and hearth and home. There is such a sorrow as this land never knew before; agony such as never until now wrung the heart of the nation. In mansion and cottage, alike, do the people bow themselves. We have been through the Red Sea of war, and across the weary, desert... more...

A FRIENDLY FEUD   EAN CABOT "lived around." She did not live around because nobody wanted her, however; on the contrary, she lived around because so many people wanted her. Both her father and mother had died when Jean was a baby and so until she was twelve years old she had been brought up by a cousin of her mother's. Then the cousin had married a missionary and had gone to teach the... more...

BACH. I. The growth and development of German music are eminently noteworthy facts in the history of the fine arts. In little more than a century and a half it reached its present high and brilliant place, its progress being so consecutive and regular that the composers who illustrated its well-defined epochs might fairly have linked hands in one connected series. To Johann Sebastian Bach must be... more...

Of Our Spiritual Strivings O water, voice of my heart, crying in the sand,All night long crying with a mournful cry,As I lie and listen, and cannot understandThe voice of my heart in my side or the voice of the sea,O water, crying for rest, is it I, is it I?All night long the water is crying to me. Unresting water, there shall never be restTill the last moon droop and the last tide fail,And the fire of... more...

Were a former inhabitant of this country who had quitted the stage of life towards the close of last century to reappear in our midst, he could not fail to be struck with the wonderful changes which have taken place in the aspect of things; in the methods of performing the tasks of daily life; and in the character of our social system generally. Nor is it too much to say that he would see himself... more...

This little opera, composed by Weber in his early youth and first represented at Dresden under the composer's own direction, for a time fell into utter oblivion, but has lately been reproduced. Though short and unpretending it really deserves to be heard, the music is so full of sweetness, so fresh and pretty. The text is taken from a tale of the Arabian Thousand and One Nights, and though full of... more...

THE DOCTRINE OF FASCISM Benito Mussolini From the Encyclopedia Italiana. Vol. XIV The English translation of the "Fundamental Ideas" is by Mr. I.S. Munro, reprinted by his kind permission from "Fascism to World-Power" (Alexander Maclehose, London, 1933). FUNDAMENTAL IDEAS. 1. Philosophic Conception. Like every concrete political conception, Fascism is thought and action. It is action... more...