Non-Classifiable Books

Showing: 91-100 results of 1768

I THE POWER OF THE DEAD TO RETURN TO EARTH Though there is no period at which the ancients do not seem to have believed in a future life, continual confusion prevails when they come to picture the existence led by man in the other world, as we see from the sixth book of the Æneid. Combined with the elaborate mythology of Greece, we are confronted with the primitive belief of Italy, and doubtless of... more...

CHAPTER I. THE HARMAS This is what I wished for, hoc erat in votis: a bit of land, oh, not so very large, but fenced in, to avoid the drawbacks of a public way; an abandoned, barren, sun scorched bit of land, favored by thistles and by wasps and bees. Here, without fear of being troubled by the passersby, I could consult the Ammophila and the Sphex [two digger or hunting wasps] and engage in that... more...

THE ART OF TALKING The charm of conversation chiefly depends upon the adaptability of the participants. It is a great accomplishment to be able to enter gently and agreeably into the moods of others, and to give way to them with grace and readiness. The spirit of conversation is oftentimes more important than the ideas expressed. What we are rather than what we say has the most permanent influence upon... more...

Although Eloisa, which for a long time had been in the press, did not yet, at the end of the year, 1760, appear, the work already began to make a great noise. Madam de Luxembourg had spoken of it at court, and Madam de Houdetot at Paris. The latter had obtained from me permission for Saint Lambert to read the manuscript to the King of Poland, who had been delighted with it. Duclos, to whom I had also... more...

RIENZI, Wagner was greatly troubled in the beginning of his career about the choice of subjects for his operas. His first famous work, ‘Rienzi,’ is founded upon the same historical basis as Bulwer's novel bearing the same name, and is a tragic opera in five acts. The composer wrote the poem and the first two acts of the score in 1838, during his residence at Riga, and from there carried it... more...

OF THE LEGENDARY PAST "LITTLE WARS" is the game of kings—for players in an inferior social position. It can be played by boys of every age from twelve to one hundred and fifty—and even later if the limbs remain sufficiently supple—by girls of the better sort, and by a few rare and gifted women. This is to be a full History of Little Wars from its recorded and authenticated beginning until... more...

Locomotion in the Twentieth Century It is proposed in this book to present in as orderly an arrangement as the necessarily diffused nature of the subject admits, certain speculations about the trend of present forces, speculations which, taken all together, will build up an imperfect and very hypothetical, but sincerely intended forecast of the way things will probably go in this new century.... more...

LIFE OF WAGNER HIS YOUTH 1813-1834. The old world is very remote from us now, but it is worth while making a small attempt to realize how it stood to Wagner. When he was born, in 1813, Bach had been dead only a little over sixty years; Mozart had been dead about twenty years, and Haydn about ten; Beethoven was in the full splendour of his tremendous powers; Weber and Schubert had still their finest... more...

CHAPTER I WHAT IS A WERWOLF? WHAT is a werwolf? To this there is no one very satisfactory reply. There are, indeed, so many diverse views held with regard to the nature and classification of werwolves, their existence is so keenly disputed, and the subject is capable of being regarded from so many standpoints, that any attempt at definition in a restricted sense would be well-nigh impossible. The word... more...

by: Virgil
TO MONSIEUR DELILLE. SIR, After reading with infinite pleasure your masterly translations of Virgil, I have been led into a train of reflection on the mechanism of words, and on the manners, the ideas, and pursuits of Nations in as much as they frequently give rise to the difference of character which we remark in their language. Few literary discussions would I think be more curious than an impartial... more...