Our website is made possible by displaying online advertisements to our visitors.
Please consider supporting us by disabling your ad blocker.

Download links will be available after you disable the ad blocker and reload the page.
Showing: 1-10 results of 39

INTRODUCTION BY THE EDITOR. Recitation with dramatic energy by men whose business it was to travel from one great house to another and delight the people by the way, was usual among us from the first. The scop invented and the glee-man recited heroic legends and other tales to our Anglo-Saxon forefathers. These were followed by the minstrels and other tellers of tales written for the people. They frequented fairs and merrymakings, spreading the... more...

The cultivation of the Ear is of the greatest importance.—Endeavour early to distinguish each several tone and key. Find out the exact notes sounded by the bell, the glass, the cuckoo, etc. Practise frequently the scale and other finger exercises; but this alone is not sufficient. There are many people who think to obtain grand results in this way, and who up to a mature age spend many hours daily in mechanical labour. That is about... more...

It is a remark of St. Philip Neri's latest biographer that, "Our Saint was profoundly convinced that there is in music and in song a mysterious and a mighty power to stir the heart with high and noble emotion, and an especial fitness to raise it above sense to the love of heavenly things." In like manner the Saint's illustrious son, Cardinal Newman, has spoken of "the emotion which some gentle, peaceful strain excites in us," and "how soul and... more...

CHAPTER IDICKENS AS A MUSICIAN The attempts to instil the elements of music into Charles Dickens when he was a small boy do not appear to have been attended with success. Mr. Kitton tells us that he learnt the piano during his school days, but his master gave him up in despair. Mr. Bowden, an old schoolfellow of the novelist's when he was at Wellington House Academy, in Hampstead Road, says that music used to be taught there, and that Dickens... more...

COME LASSES AND LADS   Come Lasses and Lads, get leave of your Dads,   And away to the May-pole hey:   For every heHas got him a she,with a minstrel standing by.   For Willy has gotten his Jill, And Johnny has got his Jone, To jigg it, jigg it, jigg it, jigg it, Jigg it up and down.     "Strike up," says Watt; "Agreed," says Kate, "And I prithee, Fiddler,... more...


by Various
INTRODUCTION It is now four or five years since my attention was called to the collection of native American ballads from the Southwest, already begun by Professor Lomax. At that time, he seemed hardly to appreciate their full value and importance. To my colleague, Professor G.L. Kittredge, probably the most eminent authority on folk-song in America, this value and importance appeared as indubitable as it appeared to me. We heartily joined in... more...

CRITICAL AND HISTORICAL ESSAYS ITHE ORIGIN OF MUSIC Darwin's theory that music had its origin “in the sounds made by the half-human progenitors of man during the season of courtship” seems for many reasons to be inadequate and untenable. A much more plausible explanation, it seems to me, is to be found in the theory of Theophrastus, in which the origin of music is attributed to the whole range of human emotion. When an animal... more...

My Dear Young Friends, Whom I am constrained to love and honour by many Obligations. It was the generous and condescending Friendship of your Parents under my weak Circumstances of Health, that brought me to their Country-Seat for the Benefit of the Air; but it was an Instance of most uncommon Kindness, to supply me there so chearfully for two Years of Sickness with the richest Conveniences of Life. Such a Favour requires my most affectionate... more...

About the sweet bag of a beeA chieftain to the Highlands boundAe fond kiss, and then we severAgincourt, AgincourtAh, my swete swetyngAlas! my love, you do me wrongAllen-a-Dale has no faggot for burningAll in the Downs the fleet was moor'dAll ye woods, and trees, and bowersAnd did you not hear of a jolly young WatermanAn old song made by an aged old pateA parrot from the Spanish mainArm, arm, arm, arm, the scouts are all come inA simple childAs I... more...

FOREWORDS When Harrison Ainsworth, in his preface to Rookwood, claimed tobe "the first to write a purely flash song" he was very wide of themark. As a matter of fact, "Nix my doll, pals, fake away!" had beenanticipated, in its treatment of canting phraseology, by nearly three centuries, and subsequently, by authors whose names stand high, in other respects, in English literature. The mistake, however, was not altogether unpardonable; few,... more...