Continental European Books

ESTHER HAPPY; OR, HOW A COURTESAN CAN LOVE In 1824, at the last opera ball of the season, several masks were struck by the beauty of a youth who was wandering about the passages and greenroom with the air of a man in search of a woman kept at home by unexpected circumstances. The secret of this behavior, now dilatory and again hurried, is known only to old women and to certain experienced loungers. In... more...

A PRINCE OF BOHEMIA "My dear friend," said Mme. de la Baudraye, drawing a pile of manuscript from beneath her sofa cushion, "will you pardon me in our present straits for making a short story of something which you told me a few weeks ago?" "Anything is fair in these times. Have you not seen writers serving up their own hearts to the public, or very often their mistress' hearts... more...

CHAPTER I There is a house at Douai in the rue de Paris, whose aspect, interior arrangements, and details have preserved, to a greater degree than those of other domiciles, the characteristics of the old Flemish buildings, so naively adapted to the patriarchal manners and customs of that excellent land. Before describing this house it may be well, in the interest of other writers, to explain the... more...

I. THE SAUVIATS In the lower town of Limoges, at the corner of the rue de la Vieille-Poste and the rue de la Cite might have been seen, a generation ago, one of those shops which were scarcely changed from the period of the middle-ages. Large tiles seamed with a thousand cracks lay on the soil itself, which was damp in places, and would have tripped up those who failed to observe the hollows and ridges... more...

CHAPTER I. MADAME JULES Certain streets in Paris are as degraded as a man covered with infamy; also, there are noble streets, streets simply respectable, young streets on the morality of which the public has not yet formed an opinion; also cut-throat streets, streets older than the age of the oldest dowagers, estimable streets, streets always clean, streets always dirty, working, laboring, and... more...

CHAPTER I The commercial traveller, a personage unknown to antiquity, is one of the striking figures created by the manners and customs of our present epoch. May he not, in some conceivable order of things, be destined to mark for coming philosophers the great transition which welds a period of material enterprise to the period of intellectual strength? Our century will bind the realm of isolated... more...

THE MUSE OF THE DEPARTMENT On the skirts of Le Berry stands a town which, watered by the Loire, infallibly attracts the traveler's eye. Sancerre crowns the topmost height of a chain of hills, the last of the range that gives variety to the Nivernais. The Loire floods the flats at the foot of these slopes, leaving a yellow alluvium that is extremely fertile, excepting in those places where it has... more...

PREFACE French prose and French poetry had interested me during so many years that when Mr. Gosse invited me to write this book I knew that I was qualified in one particular—the love of my subject. Qualified in knowledge I was not, and could not be. No one can pretend to know the whole of a vast literature. He may have opened many books and turned many pages; he cannot have penetrated to the soul of... more...

COLONEL CHABERT "HULLO! There is that old Box-coat again!" This exclamation was made by a lawyer's clerk of the class called in French offices a gutter-jumper—a messenger in fact—who at this moment was eating a piece of dry bread with a hearty appetite. He pulled off a morsel of crumb to make into a bullet, and fired it gleefully through the open pane of the window against which he was... more...

Through gloomy paths unknown—   Paths which untrodden be,From rock to rock I roam   Along the dashing sea. BOWRING. * * * * * NORWICH:printed and published by jarrold and sons.1913 Contents. Preface Lines from Allan Cunningham to George Borrow The Death-raven.  From the Danish of Oehlenslæger Fridleif and Helga.  From the Danish of Oehlenslæger Sir Middel.  From the Old Danish... more...