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PIERRE GRASSOU Whenever you have gone to take a serious look at the exhibition of works of sculpture and painting, such as it has been since the revolution of 1830, have you not been seized by a sense of uneasiness, weariness, sadness, at the sight of those long and over-crowded galleries? Since 1830, the true Salon no longer exists. The Louvre has again been taken by assault,—this time by a populace... more...

I. THE LORRAINS At the dawn of an October day in 1827 a young fellow about sixteen years of age, whose clothing proclaimed what modern phraseology so insolently calls a proletary, was standing in a small square of Lower Provins. At that early hour he could examine without being observed the various houses surrounding the open space, which was oblong in form. The mills along the river were already... more...

THE MESSAGE I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside. At the risk of spoiling my story and of being taken for a coxcomb, I state my intention at the outset. I myself played a part in this almost commonplace... more...

MELMOTH RECONCILED There is a special variety of human nature obtained in the Social Kingdom by a process analogous to that of the gardener's craft in the Vegetable Kingdom, to wit, by the forcing-house—a species of hybrid which can be raised neither from seed nor from slips. This product is known as the Cashier, an anthropomorphous growth, watered by religious doctrine, trained up in fear of... more...

A PASSION IN THE DESERT "The whole show is dreadful," she cried coming out of the menagerie of M. Martin. She had just been looking at that daring speculator "working with his hyena,"—to speak in the style of the programme. "By what means," she continued, "can he have tamed these animals to such a point as to be certain of their affection for——" "What seems to... more...

THE PURSE For souls to whom effusiveness is easy there is a delicious hour that falls when it is not yet night, but is no longer day; the twilight gleam throws softened lights or tricksy reflections on every object, and favors a dreamy mood which vaguely weds itself to the play of light and shade. The silence which generally prevails at that time makes it particularly dear to artists, who grow... more...

CHAPTER I. ONE OF MANY CHEVALIERS DE VALOIS Most persons have encountered, in certain provinces in France, a number of Chevaliers de Valois. One lived in Normandy, another at Bourges, a third (with whom we have here to do) flourished in Alencon, and doubtless the South possesses others. The number of the Valesian tribe is, however, of no consequence to the present tale. All these chevaliers, among whom... more...

THE MUSE OF THE DEPARTMENT On the skirts of Le Berry stands a town which, watered by the Loire, infallibly attracts the traveler's eye. Sancerre crowns the topmost height of a chain of hills, the last of the range that gives variety to the Nivernais. The Loire floods the flats at the foot of these slopes, leaving a yellow alluvium that is extremely fertile, excepting in those places where it has... more...

A PRINCE OF BOHEMIA "My dear friend," said Mme. de la Baudraye, drawing a pile of manuscript from beneath her sofa cushion, "will you pardon me in our present straits for making a short story of something which you told me a few weeks ago?" "Anything is fair in these times. Have you not seen writers serving up their own hearts to the public, or very often their mistress' hearts... more...

CHAPTER I. THE CHALET At the beginning of October, 1829, Monsieur Simon Babylas Latournelle, notary, was walking up from Havre to Ingouville, arm in arm with his son and accompanied by his wife, at whose side the head clerk of the lawyer's office, a little hunchback named Jean Butscha, trotted along like a page. When these four personages (two of whom came the same way every evening) reached the... more...