Classics Books

“Two bad Boys”—Sergeant Ripsy. “Oh, bother!” The utterer of these two impatient words threw down a sheet of notepaper from which he had been reading, carefully smoothed out the folds to make it flat, and then, balancing it upon one finger as he sat back in a cane chair with his heels upon the table, gave the paper a flip with his nail and sent it skimming out of the window of his military... more...

PREFACE When my publishers were good enough to propose that I should undertake this book, they were also good enough to suggest that the Introduction should be of a character somewhat different from that of a school-anthology, and should attempt to deal with the Art of Letter-writing, and the nature of the Letter, as such. I formed a plan accordingly, by which the letters, and their separate Prefatory... more...

INTRODUCTION. Young people learn the history of England by reading small books which connect some memorable event that they can understand, and remember, with the name of each king—such as Tyrrell's arrow-shot with William Rufus, or the wreck of the White Ship with Henry I. But when they begin to grow a little beyond these stories, it becomes difficult to find a history that will give details... more...

METEOROLOGICAL EMOTIONS Whoever carries a mental kodak with him (as I suspect I was in the habit of doing long before I knew it) must be aware of the uncertain value of the different exposures. This can be determined only by the process of developing, which requires a dark room and other apparatus not always at hand; and so much depends upon the process that it might be well if it could always be left... more...

THE SAGAS GENERAL INTRODUCTION The following stories are taken from the Fornaldarsögur Northrlanda, or 'Stories of Ancient Times relating to the countries of the North'—a collection of Sagas edited by Rafn in 1829-30 and re-edited by Valdimar Ásmundarson in 1886-1891. The stories contained in this collection deal almost exclusively with times anterior to Harold the Fairhaired (c. 860-930)... more...

ALPHONSE DAUDET Nominally Daudet, with the Goncourts and Zola, formed a trio representing Naturalism in fiction. He adopted the watchwords of that school, and by private friendship, no less than by a common profession of faith, was one of them. But the students of the future, while recognizing an obvious affinity between the other two, may be puzzled to find Daudet's name conjoined with theirs.... more...

CHAPTER I THE MUSIC "Listen, John—I hear music—" The words came in a gentle whisper from the woman's lips. One white, thin hand lifted itself weakly to the rough face of the man who was kneeling beside her bed, and the great dark eyes from which he had hidden his own grew luminously bright for a moment, as she whispered again: "John—I hear—music—" A sigh fluttered from... more...

CHAPTER I An establishment in Newbern Center, trading under the name of the Foto Art Shop, once displayed in its window a likeness of the twin sons of Dave Cowan. Side by side, on a lavishly fringed plush couch, they confronted the camera with differing aspects. One sat forward with a decently, even blandly, composed visage, nor had he meddled with his curls. His mate sat back, scowling, and fought the... more...

PREFACE. This book is offered to the public, not to be classed with elaborate or learned works, nor expected, like some of its more pretending companions among the offspring of the press, to run the gauntlet of literary criticism. It was prepared to meet the wants of persons—numbered by multitudes in even the most intelligent and refined communities—who from deficiency of education, or from... more...

ACTUS PRIMUS. SCENA PRIMA. Enter Lewis, Angellina, and Sylvia. Lewis. Nay, I must walk you farther. Ang. I am tir'd, Sir, and ne'er shall foot it home. Lew. 'Tis for your health; the want of exercise takes from your Beauties, and sloth dries up your sweetness: That you are my only Daughter and my Heir, is granted; and you in thankfulness must needs acknowledge, you ever find me an... more...