Classics Books

Chapter I On the west side of Ellen's father's house was a file of Norway spruce-trees, standing with a sharp pointing of dark boughs towards the north, which gave them an air of expectancy of progress. Every morning Ellen, whose bedroom faced that way, looked out with a firm belief that she would see them on the other side of the stone wall, advanced several paces towards their native land.... more...

PREFACE "The Portrait of a Lady" was, like "Roderick Hudson," begun in Florence, during three months spent there in the spring of 1879. Like "Roderick" and like "The American," it had been designed for publication in "The Atlantic Monthly," where it began to appear in 1880. It differed from its two predecessors, however, in finding a course also open to it, from... more...

On the morrow, in the evening, Lord Warburton went again to see his friends at their hotel, and at this establishment he learned that they had gone to the opera. He drove to the opera with the idea of paying them a visit in their box after the easy Italian fashion; and when he had obtained his admittance—it was one of the secondary theatres—looked about the large, bare, ill-lighted house. An act... more...

CHAPTER I INTRODUCTORY The twentieth century is the age of Woman; some day, it may be that it will be looked back upon as the golden age, the dawn, some say, of feminine civilisation. We cannot estimate as yet; and no man can tell what forces these new conditions may not release in the soul of woman. The modern change is that the will of woman is asserting itself. Women are looking for a satisfactory... more...

CHAPTER I. INTRODUCTORY SOME DETAILS OF THE BIOGRAPHY OF THAT HIGHLY RESPECTED GENTLEMAN STEPAN TROFIMOVITCH VERHOVENSKY. IN UNDERTAKING to describe the recent and strange incidents in our town, till lately wrapped in uneventful obscurity, I find myself forced in absence of literary skill to begin my story rather far back, that is to say, with certain biographical details concerning that talented and... more...

The scenes of the Play-play change with each act. For Act I the set is a drawing-room in a wealthy old New York home, entrances Right-center and Left. Both front and rear scenes are lighted by many small lights, which can be turned off a few at a time, so that one scene or the other fades slowly. When the Real-play is in full light, the Play-play is dark and invisible. When the front scene is entirely... more...

"OUR BEST SOCIETY." If gilt were only gold, or sugar-candy common sense, what a fine thing our society would be! If to lavish money upon objets de vertu, to wear the most costly dresses, and always to have them cut in the height of the fashion; to build houses thirty feet broad, as if they were palaces; to furnish them with all the luxurious devices of Parisian genius; to give superb banquets;... more...

Like the love of music, books and pictures, the love of gardens comes with culture and leisure and with the ripening of the home life. The love of gardens, as of every other beautiful and refining thing, must increase to the end of time. More and more must the sympathies enlarge. There must be more points of contact with the world. Life ever becomes richer. Gardening is more than the growing of plants:... more...

INTRODUCTION "The Prairie" was the third in order of Fenimore Cooper's Leatherstocking Tales. Its first appearance was in the year 1827. The idea of the story had suggested itself to him, we are told, before he had finished its immediate forerunner, "The Last of the Mohicans." He chose entirely new scenes for it, "resolved to cross the Mississippi and wander over the desolate... more...

                          ERASMUS OF ROTTERDAM                              to his friend                          THOMAS MORE, health: As I was coming awhile since out of Italy for England, that I might not waste all that time I was to sit on horseback in foolish and illiterate fables, I chose rather one while to revolve... more...