Classics Books

When some years ago we took the liberty, in a volume of our so-called "Confessions," to introduce to our reader's acquaintance the gentleman whose name figures in the title page, we subjoined a brief notice, by himself, intimating the intention he entertained of one day giving to the world a farther insight into his life and opinions, under the title of "Loiterings of Arthur... more...

Whatever value this publication may have, lies in the fact that it offers a typical case—a small cross section of the army that freed the slave and saved the Union. The Editor of the Commission's publications has asked me to state briefly something about myself. I am one of the multitude of "hyphenated" Americans, born across the water but reared under the flag. I am a Cambro-American,... more...

CHAPTER I. A GENTLEMAN THINKS HE CAN COMMIT A CRIME AND ESCAPE DETECTION. "Jack Barnes never gets left, you bet." "That was a close call, though," replied the Pullman porter who had given Mr. Barnes a helping hand, in his desperate effort to board the midnight express as it rolled out of Boston. "I wouldn't advise you to jump on moving trains often." "Thank you for your... more...

THE HOLY OILS. Horace Endicott once believed that life began for him the day he married Sonia Westfield. The ten months spent with the young wife were of a hue so roseate as to render discussion of the point foolish. His youth had been a happy one, of the roystering, innocent kind: noisy with yachting, baseball, and a moderate quantity of college beer, but clean, as if his mother had supervised it; yet... more...

Antoine Louis Barye At the Metropolitan Museum of Art are two pictures by the Florentine painter of the fifteenth century called Piero di Cosimo. They represent hunting scenes, and the figures are those of men, women, fauns, satyrs, centaurs, and beasts of the forests, fiercely struggling together. As we observe the lion fastening his teeth in the flesh of the boar, the bear grappling with his human... more...

PREFACE. HE object of this book is to explain the modern systems of Book and Newspaper Illustration, and especially the methods of drawing for what is commonly called “process,” on which so many artists are now engaged. There is almost a revolution in illustration at the present time, and both old and young—teachers and scholars—are in want of a handbook for reference when turning to the new... more...

TheArt of Iugling orLegerdemaine.     Heretofore we haue runne ouer the two pestiferous carbuncles in the commonwealth, the Egyptians and common Canters: the poore Canters we haue canuased meetely well, it now remaines to proceede where I left, ond to goe forward with that before I promised: St. Quintane be my good speede, I know I haue runne thorow the hands of many, censured of diuers, & girded... more...

CHAPTER I.“Le donne son venute in eccellenzaDi ciascun’arte, ove hanno posto cura;E qualunque all’istorie abbia avvertenza,Ne sente ancor la fama non oscura.***E forse ascosi han lor debiti onoriL’invidia, o il non saper degli scrittori.”Ariosto.In all ages woman may lament the ungallant silence of the historian. His pen is the record of sterner actions than are usually the vocation of the... more...

Story-telling is almost the oldest art in the world—the first conscious form of literary communication. In the East it still survives, and it is not an uncommon thing to see a crowd at a street corner held by the simple narration of a story. There are signs in the West of a growing interest in this ancient art, and we may yet live to see the renaissance of the troubadours and the minstrels whose... more...

CHAPTER VI For the first few days after his return Sunwich was full of surprises to Jem Hardy. The town itself had changed but little, and the older inhabitants were for the most part easily recognisable, but time had wrought wonders among the younger members of the population: small boys had attained to whiskered manhood, and small girls passing into well-grown young women had in some cases even... more...