Classics Books

PREFACE. The speeches which have been selected for publication in these volumes possess a value, as examples of the art of public speaking, which no person will be likely to underrate. Those who may differ from Mr. Bright's theory of the public good will have no difficulty in acknowledging the clearness of his diction, the skill with which he arranges his arguments, the vigour of his style, the... more...

In all the world there is nothing so remarkable as a great man; nothing so rare; nothing which so well repays study. Human nature is loyal at its heart, and is, always and everywhere, looking for this its true earthly sovereign. We sometimes say that our institutions, here in America, do not require great men; that we get along better without than with such. But let a real, great man light on our... more...

The year 1888, that of the Silver Wedding of the Prince and Princess of Wales, is also the 25th anniversary of the year when the Prince first began to appear in public life. It is, therefore, a fit time to present some record of events in which His Royal Highness has taken part, and of services rendered by him to the nation, during the past quarter of a century. The best and the least formal way of... more...

We propose to introduce our 'Specimens' by a short Essay on the Origin and Progress of English Poetry on to the days of Chaucer and of Gower. Having called, in conjunction with many other critics, Chaucer 'the Father of English Poetry,' to seek to go back further may seem like pursuing antenatal researches. But while Chaucer was the sun, a certain glimmering dawn had gone before... more...

WILLIAM HABINGTON. This poet might have been expected to have belonged to the 'Spasmodic school,' judging by his parental antecedents. His father was accused of having a share in Babington's conspiracy, but was released because he was godson to Queen Elizabeth. Soon after, however, he was imprisoned a second time, and condemned to death on the charge of having concealed some of the... more...

CHAPTER FIRST. FRANCES MEETS THE SPECTACLE MAN."The bridge is broke, and I have to mend it,  Fol de rol de ri do, fol de rol de ri do—"sang the Spectacle Man, leaning his elbows on the show-case, with his hands outspread, and the glasses between a thumb and finger, as he nodded merrily at Frances. Such an odd-looking person as he was! Instead of an ordinary coat he wore a velvet... more...

INTRODUCTORY ESSAY We propose to introduce our 'Specimens' by a short Essay on the Origin and Progress of English Poetry on to the days of Chaucer and of Gower. Having called, in conjunction with many other critics, Chaucer 'the Father of English Poetry,' to seek to go back further may seem like pursuing antenatal researches. But while Chaucer was the sun, a certain glimmering dawn... more...

INTRODUCTION When Richard Steele, in number 555 of his 'Spectator', signed its last paper and named those who had most helped him 'to keep up the spirit of so long and approved a performance,' he gave chief honour to one who had on his page, as in his heart, no name but Friend. This was 'the gentleman of whose assistance I formerly boasted in the Preface and concluding Leaf of... more...

1. EFFICIENCY OF LABOUR. Political economists have not overlooked efficiency of labour: they have underestimated its importance in the opinion of Edward Wilson, who has supplied me with the examples and arguments that follow and who has verbally given me leave to publish as much as I like. The English workman, especially in a country town of moderate size, regards capital as unlimited, employment... more...

SIR CHARLES SEDLEY. Sedley was one of those characters who exert a personal fascination over their own age without leaving any works behind them to perpetuate the charm to posterity. He was the son of Sir John Sedley of Aylesford, in Kent, and was born in 1639. When the Restoration took place he repaired to London, and plunged into all the licence of the time, shedding, however, over the putrid pool... more...