Classics Books

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I The Land of Lonesomeness Now we had been five days in the boats, and in all this time made no discovering of land. Then upon the morning of the sixth day came there a cry from the bo'sun, who had the command of the lifeboat, that there was something which might be land afar upon our larboard bow; but it was very low lying, and none could tell whether it was land or but a morning cloud. Yet,... more...

GOLIATH LEADS THE WAY Cynthia sat on her veranda steps, chin in hand, gazing dolefully at the gray September sky. All day, up to half an hour before, the sky had been cloudlessly blue, the day warm and radiant. Then, all of a sudden, the sun had slunk shamefacedly behind a high rising bank of cloud, and its retiring had been accompanied by a raw, chilly wind. Cynthia scowled. Then she shivered. Then... more...

by: Moliere
ACT I. LEL. Very well! Leander, very well! we must quarrel then,—we shall see which of us two will gain the day; and which, in our mutual pursuit after this young miracle of beauty, will thwart the most his rival's addresses. Do whatever you can, defend yourself well, for depend upon it, on my side no pains shall be spared. SCENE II.—LELIO, MASCARILLE. LEL. Ah! Mascarille! MASC. What's... more...

MARIA EDGEWORTH Rosamond, a little girl about seven years of age, was walking with her mother in the streets of London. As she passed along she looked in at the windows of several shops, and saw a great variety of different sorts of things, of which she did not know the use or even the names. She wished to stop to look at them, but there was a great number of people in the streets, and a great many... more...

The Blue Goose "Mais oui! I tell you one ting. One big ting. Ze big man wiz ze glass eyes, he is vat you call one slik stoff. Ze big man wiz ze glass eyes." "The old man?" "Zat's him! One slik stoff! Écoutez! Listen! One day, you mek ze gran' trip. Look hout!" Pierre made a gesture as of a dog shaking a rat. The utter darkness of the underground laboratory was parted... more...

A Spooky Invitation Rick Brant moved with infinite care. With one hand he adjusted the focus of his microscope, while with the other he brought the sharp glass tip of the pipette into view. He released his thumb for a fraction of a second and let a drop of blue fluid flow into the field of view. The microscopic monster shot out its defensive weapons, shuddered, and was still. For a moment Rick... more...

ACT I _The Wood-cutter's Cottage The stage represents the interior of a wood-cutter's cottage, simple and rustic in appearance, but in no way poverty-stricken. A recessed fireplace containing the dying embers of a wood-fire. Kitchen utensils, a cupboard, a bread-pan, a grandfather's clock, a spinning-wheel, a water-tap, etc. On a table, a lighted lamp. At the foot of the cupboard, on... more...

CHAPTER I Mrs. Assheton's house in Sussex Square, Brighton, was appointed with that finish of smooth stateliness which robs stateliness of its formality, and conceals the amount of trouble and personal attention which has, originally in any case, been spent on the production of the smoothness. Everything moved with the regularity of the solar system, and, superior to that wild rush of heavy bodies... more...

CHAPTER XIII The Russian Ballet opened with what was called on the program, "A ballet comi-dramatic by Warslav Nijinsky, entitled 'Till Eulenspiegel.'" It would have been more to the point to have scheduled it as a pantomime; at least, such a course would have proved somewhat illuminating to an audience a little in the dark concerning the nature of the entertainment to be set before... more...

CHAPTER I THE HERO AND THE PUBLIC JUAN GALLARDO breakfasted early, as he did whenever there was to be a bull-fight. A slice of roast meat was his only dish. Wine he did not even touch; the bottle remained unopened before him. He must keep himself calm. He drank two cups of thick, black coffee, and lighted an enormous cigar, sitting with his elbows on the table and his chin in his hands, looking with... more...