Continental European Books

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INTRODUCTION The Inspector-General is a national institution. To place a purely literary valuation upon it and call it the greatest of Russian comedies would not convey the significance of its position either in Russian literature or in Russian life itself. There is no other single work in the modern literature of any language that carries with it the wealth of associations which the Inspector-General... more...

by: Moliere
SCENE I.——VALÈRE, SABINE. Val. Well, Sabine, what do you advise me to do? Sab. I have really much to tell you. My uncle is bent upon marrying my cousin to Villebrequin, and things have gone so far, that I believe the wedding would have taken place to-day if you were not loved by her. However, as my cousin told me the secret of all the love she feels for you, and as we were almost driven to... more...

ACT I [SCENE.--A room furnished comfortably and tastefully, but not extravagantly. At the back, a door to the right leads to the entrance-hall, another to the left leads to Helmer's study. Between the doors stands a piano. In the middle of the left-hand wall is a door, and beyond it a window. Near the window are a round table, arm-chairs and a small sofa. In the right-hand wall, at the farther... more...

by: Moliere
SCENE I.——LE BARBOUILLÉ. Bar. Everybody must acknowledge that I am the most unfortunate of men! I have a wife who plagues me to death; and who, instead of bringing me comfort and doing things as I like them to be done, makes me swear at her twenty times a day. Instead of keeping at home, she likes gadding about, eating good dinners, and passing her time with people of I don't know what... more...

CHARACTERS LEONÍD FYÓDORITCH ZVEZDÍNTSEF. A retired Lieutenant of the Horse Guards. Owner of more than 60,000 acres of land in various provinces. A fresh-looking, bland, agreeable gentleman of 60. Believes in Spiritualism, and likes to astonish people with his wonderful stories. ANNA PÁVLOVNA ZVEZDÍNTSEVA. Wife of Leoníd. Stout; pretends to be young; quite taken up with the conventionalities... more...

ACT I The garden of IVANOFF'S country place. On the left is a terrace and the facade of the house. One window is open. Below the terrace is a broad semicircular lawn, from which paths lead to right and left into a garden. On the right are several garden benches and tables. A lamp is burning on one of the tables. It is evening. As the curtain rises sounds of the piano and violoncello are heard.... more...

The Story Of The Love Of Alcestis. Asclepius, the son of Apollo, being a mighty physician, raised men from the dead. But Zeus was wroth that a man should have such power, and so make of no effect the ordinance of the Gods. Wherefore he smote Asclepius with a thunderbolt and slew him. And when Apollo knew this, he slew the Cyclopés that had made the thunderbolts for his father Zeus, for men say that... more...

INTRODUCTION. Little Eyolf was written in Christiania during 1894, and published in Copenhagen on December 11 in that year. By this time Ibsen's correspondence has become so scanty as to afford us no clue to what may be called the biographical antecedents of the play. Even of anecdotic history very little attaches to it. For only one of the characters has a definite model been suggested. Ibsen... more...

ACT I SCENE: The stage is divided by an old wall, covered with vines and flowers. At the right, a corner of BERGAMIN's private park; at the left, a corner of PASQUINOT's. On each side of the wall, and against it, is a rustic bench. As the curtain rises, PERCINET is seated on the top of the wall. On his knee is a book, out of which he is reading to SYLVETTE, who stands attentively listening on... more...

ACT I.SCENE I.A Saloon in FIESCO'S House. The distant sound of dancing andmusic is heard. LEONORA, masked, and attended by ROSA and ARABELLA, enters hastily. LEONORA (tears off her mask). No more! Not another word! 'Tis as clear as day! (Throwing herself in a chair.) This quite overcomes me—— ARABELLA. My lady! LEONORA (rising.) What, before my eyes! with a notorious coquette! In presence... more...