American Books

One evening in the winter, some years ago, my brother came to my rooms in the city of Chicago bringing with him a book by Gertrude Stein. The book was called and, just at that time, there was a good deal of fuss and fun being made over it in American newspapers. I had already read a book of Miss Stein's called and had thought it contained some of the best writing ever done by an American. I was... more...

Act I. Scene I.—Salem Village. Living-room in Giles Corey's house. Olive Corey is spinning. Nancy Fox, the old servant, sits in the fireplace paring apples. Little Phœbe Morse, on a stool beside her, is knitting a stocking. Phœbe (starting). What is that? Oh, Olive, what is that? Nancy. Yes, what is that? Massy, what a clatter! Olive (spinning). I heard naught. Be not so foolish, child. And... more...

The greatest difficulty to be met in the writing of an Indian play is the extensive misinformation about Indians. Any real aboriginal of my acquaintance resembles his prototype in the public mind about as much as he does the high-nosed, wooden sign of a tobacco store, the fact being that, among the fifty-eight linguistic groups of American aboriginals, customs, traits, and beliefs differ as greatly as... more...

ACT I [JULIA PATTERSON'S apartments in a model tenement on the lower East Side. The scene shows the living-room, furnished very plainly, but in the newest taste; "arts and crafts" furniture, portraits of Morris and Ruskin on the walls; a centre table, a couple of easy-chairs, a divan and many book-shelves. The entrance from the outer hall is at centre; entrance to the other rooms right and... more...

COSTUMES. The simplicity of the costuming as well as of the stage setting makes the play an easy one for amateurs to produce. The dress of the four school girls should be as modern as possible. Their hair should be elaborately arranged. Hippolyta should wear the dress of an Amazon, armor if possible, or a short skirt, sandals laced high with crossed strings, waist to match the skirt, a crown, and a... more...

ROYALL TYLER (1757-1826) William Dunlap is considered the father of the American Theatre, and anyone who reads his history of the American Theatre will see how firmly founded are his claims to this title. But the first American play to be written by a native, and to gain the distinction of anything like a "run" is "The Contrast," by Royall Tyler. Unfortunately for us, the three hundred... more...

THE CAST Princess Maria Theresa of Aragon. Warren Jarvis, of Kentucky. Nita, the Princess' Maid. House Detective, Manhattan Hotel. Rusty Snow, Warren Jarvis' Colored Servant. Detectives, from Police Headquarters. Hotel Porter. Steward, on S.S. Aquitania. Carlos, Duke d'Alva. Dolores, the Innkeeper's Daughter. Vardos, Messenger to the Missing Prince. Don Robledo, a Soldier of... more...

Mrs. Edward Roberts: "Now, my dear, Amy and I will get there early, so as to make up for your coming a little late, but you must be there for the last half, at least. I would excuse you altogether if I could, for I know you must be dead tired, up all night, that way, on the train, but Mrs. Miller is one of those people who never can listen to reason, and she would take deadly offence if you missed... more...

INTRODUCTION The first two or three of these "plays" (I retain the word for lack of a better one) began themselves as short stories, but in each case I found that the dramatic element, speech, tended to absorb the impersonal element of comment and description, so that it proved easier to go on by allowing the characters to establish the situation themselves. As I grew conscious of this... more...

ACT ISCENE I[Shows a primeval forest, with great trees, thickets in background, and moss and ferns underfoot. A set in the foreground. To the left is a tent, about ten feet square, with a fly. The front and sides are rolled up, showing a rubber blanket spread, with bedding upon it; a rough stand, with books and some canned goods, a rifle, a fishing-rod, etc. Toward centre is a trench with the remains... more...