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Showing: 1-10 results of 47

LECTURE I. THE DISCOVERY AND APPLICATION OF ART. A Lecture delivered at Manchester, July 10, 1857. 1. Among the various characteristics of the age in which we live, as compared with other ages of this not yet very experienced world, one of the most notable appears to me to be the just and wholesome contempt in which we hold poverty. I repeat, the just and wholesome contempt; though I see that some of my hearers look surprised at the... more...

CHAPTER I The Duomo I: Its Construction The City of the Miracle—The Marble Companions—Twilight andImmensity—Arnolfo di Cambio—Dante's seat—Ruskin's "Shepherd"—Giottothe various—Giotto's fun—The indomitable Brunelleschi—Makers ofFlorence—The present façade. All visitors to Florence make first for the Duomo. Let us do the same. The real name of the Duomo is the Cathedral of S.... more...

CHAPTER I THE BRIDE OF THE ADRIATIC The best approach to Venice—Chioggia—A first view—Another water approach—Padua and Fusina—The railway station—A complete transformation—A Venetian guide-book—A city of a dream. I have no doubt whatever that, if the diversion can be arranged, the perfect way for the railway traveller to approach Venice for the first time is from Chioggia, in the afternoon.... more...

Perhaps the most important part of Criticism is the fact that it presents to the creator a problem which is never solved. Criticism is to him a perpetual Presence: or perhaps a ghost which he will not succeed in laying. If he could satisfy his mind that Criticism was a certain thing: a good thing or a bad, a proper presence or an irrelevant, he could psychologically dispose of it. But he can not. For Criticism is a configuration of responses and... more...

PREFACE. 1. I must pray the readers of the following Lectures to remember that the duty at present laid on me at Oxford is of an exceptionally complex character. Directly, it is to awaken the interest of my pupils in a study which they have hitherto found unattractive, and imagined to be useless; but more imperatively, it is to define the principles by which the study itself should be guided; and to vindicate their security against the doubts... more...


Art

I THE AESTHETIC HYPOTHESIS It is improbable that more nonsense has been written about aesthetics than about anything else: the literature of the subject is not large enough for that. It is certain, however, that about no subject with which I am acquainted has so little been said that is at all to the purpose. The explanation is discoverable. He who would elaborate a plausible theory of aesthetics must possess two qualities—artistic... more...

EARLY ART SCHOOLS IN ENGLAND.   harles the First appears to have been the first English Sovereign who regarded art, not merely as an aid to the splendour of the throne, but for its own sake. As Walpole says, 'Queen Elizabeth was avaricious with pomp, James the First lavish with meanness.' To neither had the position of the painter been a matter of the slightest concern. But from Charles the First dates truly the dawn of a love of art in... more...

APOLOGIA PRO LIBELLO: IN A LETTER TO A FRIEND Although you know your Italy well, you ask me, who see her now for the first time, to tell you how I find her; how she sinks into me; wherein she fulfils, and wherein fails to fulfil, certain dreams and fancies of mine (old amusements of yours) about her. Here, truly, you show yourself the diligent collector of human documents your friends have always believed you; for I think it can only be appetite... more...

ESSAYS ON ART "The Adoration of the Magi" There is one beauty of nature and another of art, and many attempts have been made to explain the difference between them. Signor Croce's theory, now much in favour, is that nature provides only the raw material for art. The beginning of the artistic process is the perception of beauty in nature; but an artist does not see beauty as he sees a cow. It is his own mind that imposes on the chaos of nature... more...

INTRODUCTION It is hardly necessary to apologise for the miscellaneous character of the following collection of essays.  Samuel Butler was a man of such unusual versatility, and his interests were so many and so various that his literary remains were bound to cover a wide field.  Nevertheless it will be found that several of the subjects to which he devoted much time and labour are not represented in these pages.  I have not... more...