PREFACE IN the daily life of the ordinary man, a life crowded with diverse interests and increasingly complex demands, some few moments of a busy week or month or year are accorded to an interest in art. Whatever may be his vocation, the man feels instinctively that in his total scheme of life books, pictures, music have somewhere a place. In his own business or profession he is an expert, a man of... more...

PREFACE The following pages are the answer to questions which a young man asked himself when, fresh from the university, he found himself adrift in the great galleries of Europe. As he stood helpless and confused in the presence of the visible expressions of the spirit of man in so many ages and so many lands, one question recurred insistently: Why are these pictures? What is the meaning of all this... more...

PREFACE. This work is called the Critique of Practical Reason, not of the pure practical reason, although its parallelism with the speculative critique would seem to require the latter term. The reason of this appears sufficiently from the treatise itself. Its business is to show that there is pure practical reason, and for this purpose it criticizes the entire practical faculty of reason. If it... more...

SONG I.Boethius' Complaint.Who wrought my studious numbersSmoothly once in happier days,Now perforce in tears and sadnessLearn a mournful strain to raise.Lo, the Muses, grief-dishevelled,Guide my pen and voice my woe;Down their cheeks unfeigned the tear dropsTo my sad complainings flow!These alone in danger's hourFaithful found, have dared attendOn the footsteps of the exileTo his lonely... more...

PROLOGUE What I am anxious to attempt in this anticipatory summary of the contents of this book is a simple estimate of its final conclusions, in such a form as shall eliminate all technical terms and reduce the matter to a plain statement, intelligible as far as such a thing can be made intelligible, to the apprehension of such persons as have not had the luck, or the ill-luck, of a plunge into the... more...

Part 1 Things are said to be named 'equivocally' when, though they have a common name, the definition corresponding with the name differs for each. Thus, a real man and a figure in a picture can both lay claim to the name 'animal'; yet these are equivocally so named, for, though they have a common name, the definition corresponding with the name differs for each. For should any one... more...

INTRODUCTION It is to two English scholars, father and son, Edward Pococke, senior and junior, that the world is indebted for the knowledge of one of the most charming productions Arabian philosophy can boast of. Generally looked upon as a subject of repulsive aridity, in its strange combination of the most heterogeneous philosophical systems, devoid of the grace and charm of attractive style,... more...

PREFACE In an essay on "The Problem of Philosophy at the Present Time," Professor Edward Caird says that "philosophy is not a first venture into a new field of thought, but the rethinking of a secular and religious consciousness which has been developed, in the main, independently of philosophy." If there be any inspiration and originality in this book, they are due to my great desire... more...

THE SPIRIT OF MUSIC "Art is the Manifestation of the Spiritual by means of the Material"Newlandsmith Music is a part of life. It is not merely an accomplishment or a hobby, nor yet a means of relaxation from the strenuous business of earning a living. It is not an addendum or an excrescence: it is an actual part of the fabric of life itself. The object of these pages will be to show how closely... more...

I A good portrait of Locke would require an elaborate background. His is not a figure to stand statuesquely in a void: the pose might not seem grand enough for bronze or marble. Rather he should be painted in the manner of the Dutch masters, in a sunny interior, scrupulously furnished with all the implements of domestic comfort and philosophic enquiry: the Holy Bible open majestically before him, and... more...