THE OLD FRONT LINE This description of the old front line, as it was when the Battle of the Somme began, may some day be of use. All wars end; even this war will some day end, and the ruins will be rebuilt and the field full of death will grow food, and all this frontier of trouble will be forgotten. When the trenches are filled in, and the plough has gone over them, the ground will not long keep the look of war. One summer with its flowers... more...

INTRODUCTION. This translation of Xenophon’s “Memorabilia of Socrates” was first published in 1712, and is here printed from the revised edition of 1722.  Its author was Edward Bysshe, who had produced in 1702 “The Art of English Poetry,” a well-known work that was near its fifth edition when its author published his translation of the “Memorabilia.”  This was a translation that remained in... more...

PREFACE.   In the literature of all countries there will be found a certain number of works treating especially of love. Everywhere the subject is dealt with differently, and from various points of view. In the present publication it is proposed to give a complete translation of what is considered the standard work on love in literature, and which is called the 'Vatsyayana Kama Sutra,' or Aphorisms on Love, by Vatsyayana. While the... more...

TO THE CITIZENSOFLondon and Westminster. GENTLEMEN, Experience has confirm'd you in that everlasting Maxim, that there is no other way to protect the Innocent, but by Punishing the Guilty. Crimes ever were, and ever must be unavoidably frequent in such populous Cities as yours are, being the necessary Consequences, either of the Wants, or the Depravity, of the lowest part of the humane Species. At this time the most flagrant Offences, as... more...

BACH. I. The growth and development of German music are eminently noteworthy facts in the history of the fine arts. In little more than a century and a half it reached its present high and brilliant place, its progress being so consecutive and regular that the composers who illustrated its well-defined epochs might fairly have linked hands in one connected series. To Johann Sebastian Bach must be accorded the title of "father of modern music."... more...

INTRODUCTION   In this DIRECTORY you'll seeJust what you never ought to be;And so, it should Direct your wayTo Good Behavior, every day.The children of whose faults I tellAre known by other names, as well,So see that you aren't in this groupOf Naughty Ones. Don't be a Goop!   MARMADUKE ARGYLL Talking while Eating     A Goop that alwaysmakes me smileIs this one:Marmaduke Argyll.His mouth is fullfrom cheek to... more...

CHAPTER I. In this volume I shall not attempt to give the origin and history of the Negro race either in Africa or in America. My attempt is to deal only with conditions that now exist and bear a relation to the Negro in America and that are likely to exist in the future. In discussing the Negro, it is always to be borne in mind that, unlike all the other inhabitants of America, he came here without his own consent; in fact, was compelled to... more...

  Before the Play begins, MOTHER GOOSE comes out in front of the curtain, and this is what she says: Well, well, well, well, well, here we all are again. And what's more important, Christmas is here again, too. Aren't you glad? Now I want to tell you children something. Do you know what I enjoy most at Christmas time? It's to come in here and see all you children sitting in rows and rows, all your faces looking up at me, and a smile on... more...

HISTORY OF THE SEE AND CITY At York the city did not grow up round the cathedral as at Ely or Lincoln, for York, like Rome or Athens, is an immemorial—a prehistoric—city; though like them it has legends of its foundation. Geoffrey of Monmouth, whose knowledge of Britain before the Roman occupation is not shared by our modern historians, gives the following account of its beginning:—"Ebraucus, son of Mempricius, the third king... more...

INTRODUCTION THE accompanying Atlas has been included in this series for the greater convenience of the reader of “Grote's Greece” and other works that ask a continual reference to maps of ancient and classical geography. The disadvantage of having to turn perpetually from the text of a volume to a map at its end, or a few pages away, is often enough to prevent the effective use of the one in elucidating the other. Despite some... more...