Non-Classifiable Books

CHAPTER IEARLY LIFE IN ALDEBURGH(1754-1780)Two eminent English poets who must be reckoned moderns though each produced characteristic verse before the end of the eighteenth century, George Crabbe and William Wordsworth, have shared the common fate of those writers who, possessing a very moderate power of self-criticism, are apparently unable to discriminate between their good work and their bad. Both... more...

MEMORIAL DISCOURSE. "In the day of adversity consider." It is the day of adversity. A great grief throws its shadow over heart and hearth and home. There is such a sorrow as this land never knew before; agony such as never until now wrung the heart of the nation. In mansion and cottage, alike, do the people bow themselves. We have been through the Red Sea of war, and across the weary, desert... more...

I THE WORLD OF DU MAURIER §1 We have in the portfolio of du Maurier the epic of the drawing-room. Many of the Victorians, including the Queen, and Alfred Lord Tennyson, seem to have viewed life from the drawing-room window. They gazed straight across the room from the English hearthrug as from undoubtedly the greatest place on earth. They were probably right. But some of this confidence has gone.... more...

INTRODUCTION "WEDNESDAY 19 JANUARY [1763]. This was a day eagerly expected by Dempster, Erskine, and I, as it was fixed as the period of our gratifying a whim proposed by me: which was that on the first day of the new Tragedy called Elvira's being acted, we three should walk from the one end of London to the other, dine at Dolly's, & be in the Theatre at night; & as the Play would... more...

I. WITH DU MAURIER AND FRIENDS. "I well remember" my first meeting with du Maurier in the class-rooms of the famous Antwerp Academy. I was painting and blagueing, as one paints and blagues in the storm and stress period of one's artistic development. It had been my good fortune to commence my studies in Paris; it was there, in the atelier Gleyre, I had cultivated, I think I may say, very... more...

1. LIFE With the exception of a very small number of statements, of which the truth is by no means certain, all that we know of Lucian is derived from his own writings. And any reader who prefers to have his facts at first rather than at second hand can consequently get them by reading certain of his pieces, and making the natural deductions from them. Those that contain biographical matter are, in the... more...

INTRODUCTION It cannot be denied that the academic expression "Literature" is an ill-favoured word. It involuntarily calls up the Antithesis of Life, of Personal Experience, of the Simple Expression of Thought and Feeling. With what scorn does Verlaine exclaim in his Poems: "And the Rest is only Literature." The word is not employed here in Verlaine's sense. The Impersonal is to be... more...

CHAPTER I STYLE IN PEN DRAWING Art, with its finite means, cannot hope to record the infinite variety and complexity of Nature, and so contents itself with a partial statement, addressing this to the imagination for the full and perfect meaning. This inadequation, and the artificial adjustments which it involves, are tolerated by right of what is known as artistic convention; and as each art has its... more...

Rembrandt's Etching Technique: An Example A Rembrandt print in the collection of the Smithsonian Institution has been made the subject of a study of the artist's etching technique. The author is associate curator, division of graphic arts, in the Smithsonian Institution's Museum of History and Technology. All footnotes appear at the end of this paper. Rembrandt's print, Landscape... more...

INTRODUCTION This book with its sad, reiterated story of wrong and oppression is an indictment and an appeal. It is an indictment of the system which produces results so pitiful. It is an appeal to Christian womanhood to right these wrongs and enlighten this darkness by sacrifice and service. At the recent Mohammedan Educational Conference in Bombay the president of the gathering, the Agha Khan,... more...