Non-Classifiable Books

CHAPTER I THE CLINIC OF EMILE COUÉ The clinic of Emile Coué, where Induced Autosuggestion is applied to the treatment of disease, is situated in a pleasant garden attached to his house at the quiet end of the rue Jeanne d'Arc in Nancy. It was here that I visited him in the early summer of 1921, and had the pleasure for the first time of witnessing one of his consultations. We entered the garden... more...

CHAPTER I A PRINCESS OF PRUDES Among the many fair and frail women who fed the flames of the "Merrie Monarch's" passion from the first day of his restoration to that last day, but one short week before his death, when Evelyn saw him "sitting and toying with his concubines," there was, it is said, only one of them all who really captured his royal and wayward heart, that loveliest,... more...

CHAPTER I I The Buonarroti Simoni, to whom Michelangelo belonged, were a Florentine family of ancient burgher nobility. Their arms appear to have been originally "azure two bends or." To this coat was added "a label of four points gules inclosing three fleur-de-lys or." That augmentation, adopted from the shield of Charles of Anjou, occurs upon the scutcheons of many Guelf houses and... more...

THE CLASS STRUGGLE Unfortunately or otherwise, people are prone to believe in the reality of the things they think ought to be so.  This comes of the cheery optimism which is innate with life itself; and, while it may sometimes be deplored, it must never be censured, for, as a rule, it is productive of more good than harm, and of about all the achievement there is in the world.  There are cases where... more...

CHILDREN'S BOOKS AND THEIR ILLUSTRATORS. BY GLEESON WHITE.There are some themes that by their very wealth of suggestion appal the most ready writer. The emotions which they arouse, the mass of pleasant anecdote they recall, the ghosts of far-off delights they summon, are either too obvious to be worth the trouble of description or too evanescent to be expressed in dull prose. Swift, we are told... more...

More than that of any other modern people French art is a national expression. It epitomizes very definitely the national æsthetic judgment and feeling, and if its manifestations are even more varied than are elsewhere to be met with, they share a certain character that is very salient. Of almost any French picture or statue of any modern epoch one's first thought is that it is French. The... more...

THE MARX HE KNEW I The pale, yellow light of the waning day streamed through the dusty window panes of the little cigar shop, and across the bench where old Hans Fritzsche worked and hummed the melody of Der Freiheit the while. The Young Comrade who sat in the corner upon a three-legged stool seemed not to hear the humming. His eyes were fixed upon a large photograph of a man which hung in a massive... more...

I. BOURGEOIS AND PROLETARIANS The history of all hitherto existing societies is the history of class struggles. Freeman and slave, patrician and plebeian, lord and serf, guild-master and journeyman, in a word, oppressor and oppressed, stood in constant opposition to one another, carried on an uninterrupted, now hidden, now open fight, a fight that each time ended, either in a revolutionary... more...

CHAPTER IWHAT WE ARGUE ABOUT, AND WHY 1. What Argument is. When we argue we write or speak with an active purpose of making other people take our view of a case; that is the only essential difference between argument and other modes of writing. Between exposition and argument there is no certain line. In Professor Lamont's excellent little book, "Specimens of Exposition," there are two... more...

I "All talk on modern poetry, by people who know," wrote Mr. Carl Sandburg in Poetry, "ends with dragging in Ezra Pound somewhere. He may be named only to be cursed as wanton and mocker, poseur, trifler and vagrant. Or he may be classed as filling a niche today like that of Keats in a preceding epoch. The point is, he will be mentioned." This is a simple statement of fact. But though... more...