Non-Classifiable Books

LESSON I. THE ASTRAL SENSES. The student of occultism usually is quite familiar with the crass individual who assumes the cheap skeptical attitude toward occult matters, which attitude he expresses in his would-be "smart" remark that he "believes only in what his senses perceive." He seems to think that his cheap wit has finally disposed of the matter, the implication being that the... more...

INTRODUCTION. In preparing the second number of our manual for Arbor Day, we have endeavored to keep in mind the fact that Arbor Day was originally designed not as a mere festival or holiday, a pleasant occasion for children or adults, but to encourage the planting of trees for a serious purpose—the lasting benefit of the country in all its interests. As the poet Whittier has so well said, "The... more...

GEORGE CARY EGGLESTON SOUTHERN LITERATURE [Speech of George Cary Eggleston at the first annual banquet of the New York Southern Society, February 22, 1887. Algernon Sidney Sullivan, President of the Society, was in the chair. In introducing the speaker Mr. Sullivan said: "We want to hear a word about 'Southern Literature,' and we will now call upon Mr. George Cary Eggleston to respond to... more...

When Senator Al Gore was evangelizing support for his visionary National Research and Education Network bill, he often pointed to the many benefits of a high-speed, multi-lane, multi-level data superhighway. Some of these included: — collaborating research teams, physically distant from each other, working on shared projects via high speed computer networks. Some of these "grand challenges"... more...

CHAPTER 1. THE MASON-BEES. Reaumur (Rene Antoine Ferchault de Reaumur (1683-1757), inventor of the Reaumur thermometer and author of "Memoires pour servir a l'histoire naturelle des insectes."—Translator's Note.) devoted one of his papers to the story of the Chalicodoma of the Walls, whom he calls the Mason-bee. I propose to go on with the story, to complete it and especially to... more...

THE ORATORIO. The oratorio in its modern form is a musical setting of a sacred story or text in a style more or less dramatic. Its various parts are assigned to the four solo voices and to single or double chorus, with accompaniment of full orchestra, sometimes amplified by the organ. Like the opera, it has its recitative, linking together and leading up to the various numbers. The origin of the word... more...

Chapter I. The line of demarcation made between infancy and childhood, both by ancient and modern writers, has always been arbitrary. I would draw the line between the two, at a period of time which appears to me to be the most natural, the most simple, and least likely to lead the reader into the danger of misapplying any part of the practical directions of this, or any future chapter of the work. We... more...

FOREWORD As this book is written for boys of all ages, it has been divided under two general heads, "The Tomahawk Camps" and "The Axe Camps," that is, camps which may be built with no tool but a hatchet, and camps that will need the aid of an axe. The smallest boys can build some of the simple shelters and the older boys can build the more difficult ones. The reader may, if he likes,... more...

The design of this book is twofold,—to meet the present demand for new selections suited to the spirit of the hour, and also to furnish a choice collection of standard pieces for elocutionary exercises on which time has set its lasting seal. In the execution of this design no pains have been spared in selecting and preparing the best pieces, both new and old. The extracts from recent productions,... more...

PREFACE I need not explain how these Shadows were suggested, to any one who has seen WILKIE'S picture, "The Rabbit on the Wall." But by what pains they were invented can never be revealed; for it is known to my tortured digits alone, and they, luckily for me, are dumb. I calculate that I put my ten fingers through hundreds of various exercises before my "Bird" took wing; my left... more...