Music Books

EUGÈNE YSAYE THE TOOLS OF VIOLIN MASTERY Who is there among contemporary masters of the violin whose name stands for more at the present time than that of the great Belgian artist, his "extraordinary temperamental power as an interpreter" enhanced by a hundred and one special gifts of tone and technic, gifts often alluded to by his admiring colleagues? For Ysaye is the greatest exponent of... more...

Many years ago, in the essay which is set second in this collection, I wrote (speaking of the early English composers) that "at length the first great wave of music culminated in the works of Tallis and Byrde ... Byrde is infinitely greater than Tallis, and seems worthy indeed to stand beside Palestrina." Generally one modifies one's opinions as one grows older; very often it is necessary... more...

I. THE TITLE AND PURPOSE OF THIS BOOK My book, "How to Appreciate Music," in the chapter devoted to the pianoforte, contains a paragraph relating to the Pianola and its influence in popularizing music and stimulating musical taste. I confess that before I started that paragraph I was puzzled to know what term to use in designating the instrument I had in mind. "Mechanical piano-player"... more...

FOREWORDS When Harrison Ainsworth, in his preface to Rookwood, claimed tobe "the first to write a purely flash song" he was very wide of themark. As a matter of fact, "Nix my doll, pals, fake away!" had beenanticipated, in its treatment of canting phraseology, by nearly three centuries, and subsequently, by authors whose names stand high, in other respects, in English literature. The... more...

In Defence of Bad Taste In America, where men are supposed to know nothing about matters of taste and where women have their dresses planned for them, the household decorator has become an important factor in domestic life. Out of an even hundred rich men how many can say that they have had anything to do with the selection or arrangement of the furnishings for their homes? In theatre programs these... more...

The cultivation of the Ear is of the greatest importance.—Endeavour early to distinguish each several tone and key. Find out the exact notes sounded by the bell, the glass, the cuckoo, etc. Practise frequently the scale and other finger exercises; but this alone is not sufficient. There are many people who think to obtain grand results in this way, and who up to a mature age spend many hours daily in... more...

CHAPTER I THE TRAINING OF THE MUSIC TEACHER Let us consider the case of a young girl who has finished her school education, and has supplemented this by a special course of technical work in music, which has ended in her taking a musical diploma. She now wishes to teach. What are the chief problems which she will have to face? She must first of all make up her mind whether she wishes to confine her... more...

By Sir John Burtonhead. [Listen]   LL Christians and Lay-Elders too,For Shame amend your Lives;I’ll tell you of a Dog-trick now,Which much concerns you Wives:An Elder’s Maid near Temple-Bar,(Ah! what a Quean was she?)Did take an ugly Mastiff Cur,Where Christians use to be.Help House of Commons, House of Peers,Oh now or never help!Th’ Assembly hath not sat Four Years,Yet hath brought forth a... more...

I. When we try to picture to ourselves the intellectual and moral state of Europe in the Middle Ages, some fixed and almost stereotyped ideas immediately suggest themselves. We think of the nations immersed in a gross mental lethargy; passively witnessing the gradual extinction of arts and sciences which Greece and Rome had splendidly inaugurated; allowing libraries and monuments of antique... more...

Wagner Wagner's music, more than any other, is the sign and symbol of the nineteenth century. The men to whom it was disclosed, and who first sought to refuse, and then accepted it, passionately, without reservations, found in it their truth. It came to their ears as the sound of their own voices. It was the common, the universal tongue. Not alone on Germany, not alone on Europe, but on every... more...