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Showing: 11-20 results of 121

INTRODUCTION There is a general cry of paradox when scholars, struck by some historical error, attempt to correct it; but, for whoever studies modern history to its depths, it is plain that historians are privileged liars, who lend their pen to popular beliefs precisely as the newspapers of the day, or most of them, express the opinions of their readers. Historical independence has shown itself much less among lay writers than among those of... more...

The 18th of the Month Scheval, in the Year of the Hegira, 837. Thou Joy of ev’ry Eye! Thou Torment of every Heart! Thou Intellectual Light! I do not kiss the Dust of thy Feet; because thou seldom art seen out of the Seraglio, and when thou art, thou walkest only on the Carpets of Iran, or on Beds of Roses. I here present you with a Translation of the Work of an ancient Sage, who having the Happiness of living free from all Avocations,... more...

Z. MARCAS I never saw anybody, not even among the most remarkable men of the day, whose appearance was so striking as this man's; the study of his countenance at first gave me a feeling of great melancholy, and at last produced an almost painful impression. There was a certain harmony between the man and his name. The Z. preceding Marcas, which was seen on the addresses of his letters, and which he never omitted from his signature, as the... more...

EL VERDUGO The clock of the little town of Menda had just struck midnight. At that moment a young French officer, leaning on the parapet of a long terrace which bordered the gardens of the chateau de Menda, seemed buried in thoughts that were deeper than comported with the light-hearted carelessness of military life; though it must be said that never were hour, scene, or night more propitious for meditation. The beautiful sky of Spain spread its... more...

CHAPTER I. PROLOGUE In the year 1800, toward the close of October, a foreigner, accompanied by a woman and a little girl, was standing for a long time in front of the palace of the Tuileries, near the ruins of a house recently pulled down, at the point where in our day the wing begins which was intended to unite the chateau of Catherine de Medici with the Louvre of the Valois. The man stood there with folded arms and a bowed head, which he... more...


CHAPTER I. THE FRIGHTENED HEIRS Entering Nemours by the road to Paris, we cross the canal du Loing, the steep banks of which serve the double purpose of ramparts to the fields and of picturesque promenades for the inhabitants of that pretty little town. Since 1830 several houses had unfortunately been built on the farther side of the bridge. If this sort of suburb increases, the place will lose its present aspect of graceful originality. In... more...

UNCONSCIOUS COMEDIANS Leon de Lora, our celebrated landscape painter, belongs to one of the noblest families of the Roussillon (Spanish originally) which, although distinguished for the antiquity of its race, has been doomed for a century to the proverbial poverty of hidalgos. Coming, light-footed, to Paris from the department of the Eastern Pyrenees, with the sum of eleven francs in his pocket for all viaticum, he had in some degree forgotten... more...

CHAPTER I THE CURSE Julian's father and mother dwelt in a castle built on the slope of a hill, in the heart of the woods. The towers at its four corners had pointed roofs covered with leaden tiles, and the foundation rested upon solid rocks, which descended abruptly to the bottom of the moat. In the courtyard, the stone flagging was as immaculate as the floor of a church. Long rain-spouts, representing dragons with yawning jaws, directed the... more...

I. THE SAUVIATS In the lower town of Limoges, at the corner of the rue de la Vieille-Poste and the rue de la Cite might have been seen, a generation ago, one of those shops which were scarcely changed from the period of the middle-ages. Large tiles seamed with a thousand cracks lay on the soil itself, which was damp in places, and would have tripped up those who failed to observe the hollows and ridges of this singular flooring. The dusty walls... more...

I Early in the autumn of 1826 the Abbe Birotteau, the principal personage of this history, was overtaken by a shower of rain as he returned home from a friend's house, where he had been passing the evening. He therefore crossed, as quickly as his corpulence would allow, the deserted little square called "The Cloister," which lies directly behind the chancel of the cathedral of Saint-Gatien at Tours. The Abbe Birotteau, a short little man,... more...