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Showing: 1-10 results of 84

THE LEGEND OF MONTE DEL DIABLO. The cautious reader will detect a lack of authenticity in the following pages. I am not a cautious reader myself, yet I confess with some concern to the absence of much documentary evidence in support of the singular incident I am about to relate. Disjointed memoranda, the proceedings of ayuntamientos and early departmental juntas, with other records of a primitive and superstitious people, have been my inadequate... more...

INTRODUCTION I was talking the other day to Alfred Coppard, who has steered more successfully than most English story writers away from the Scylla and Charybdis of the modern artist. He told me that he had been reading several new novels and volumes of short stories by contemporary American writers with that awakened interest in the civilization we are framing which is so noticeable among English writers during the past three years. He asked me... more...

Grateful acknowledgment for permission to include the stories and other material in this volume is made to the following authors, editors, publishers, and copyright holders: To The Pictorial Review Company and Miss Edwina Stanton Babcock for permission to reprint "The Excursion," first published in The Pictorial Review; to The Century Company and Mr. Thomas Beer for permission to reprint "Onnie," first published in The Century Magazine; to... more...

PART I—WEST. The sun was rising in the foot-hills. But for an hour the black mass of Sierra eastward of Angel's had been outlined with fire, and the conventional morning had come two hours before with the down coach from Placerville. The dry, cold, dewless California night still lingered in the long canyons and folded skirts of Table Mountain. Even on the mountain road the air was still sharp, and that urgent necessity for something to... more...

Chapter One If Dad had been a coal baron, like Mr. Tudor Carstairs, or a stock-watering captain of industry, like Mrs. Sanderson-Spear's husband, or descended from a long line of whisky distillers, like Mrs. Carmichael Porter, why, then his little Elizabeth would have been allowed the to sit in seat of the scornful with the rest of the Four Hundred, and this story would never have been written. But Dad wasn't any of these things; he was just an... more...


CHAPTER I. As the master of the Indian Spring school emerged from the pine woods into the little clearing before the schoolhouse, he stopped whistling, put his hat less jauntily on his head, threw away some wild flowers he had gathered on his way, and otherwise assumed the severe demeanor of his profession and his mature age—which was at least twenty. Not that he usually felt this an assumption; it was a firm conviction of his serious... more...

I.—An Audacious Proposition Anthony Robeson glanced about him in a satisfied way at the shaded nook under the low-hanging boughs into which he had guided the boat. Then he drew in his oars and let the little craft drift. “This is an ideal spot,” said he, looking into his friend’s face, “in which to tell you a rather interesting piece of news.” “Oh, fine!” cried his friend, settling herself... more...

"I won't study another word to-day!" Helena tipped the table, spilling the books to the floor. "I want to go out in the sun. Go home, Miss Phelps, that's a dear. Anyhow, it won't do you a bit of good to stay." Miss Phelps, young herself, glanced angrily at her briery charge, longingly at the brilliant blue of sky and bay beyond the long window. "I leave it to Miss Yorba." Her voice, fashioned to cut, vibrated a little with the vigour of its... more...

THE MAN ON THE BEACH I He lived beside a river that emptied into a great ocean. The narrow strip of land that lay between him and the estuary was covered at high tide by a shining film of water, at low tide with the cast-up offerings of sea and shore. Logs yet green, and saplings washed away from inland banks, battered fragments of wrecks and orange crates of bamboo, broken into tiny rafts yet odorous with their lost freight, lay in long... more...

It was near midnight: The company gathered in a famous city studio were under the impression, diligently diffused in the world, that the end of the century is a time of license if not of decadence. The situation had its own piquancy, partly in the surprise of some of those assembled at finding themselves in bohemia, partly in a flutter of expectation of seeing something on the border-line of propriety. The hour, the place, the anticipation of the... more...