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TITIAN,—SKETCH OF HIS LIFE. The name of this illustrious painter was Tiziano Vecellio or Vecelli, and he is called by the Italians, Tiziano Vecellio da Cadore. He was descended of a noble family; born at the castle of Cadore in the Friuli in 1477, and died in 1576, according to Ridolfi; though Vasari and Sandrart place his birth in 1480. Lanzi says he died in 1576, aged 99 years. He early showed a...
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EGYPTIAN ART. Champollion, the famous explorer of Egyptian antiquities, holds the following language at the end of his fifteenth letter, dated at Thebes. "It is evident to me, as it must be to all who have thoroughly examined Egypt or have an accurate knowledge of the Egyptian monuments existing in Europe, that the arts commenced in Greece by a servile imitation of the arts in Egypt, much more...
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Andrew Lang
HOW TO FAIL IN LITERATURE What should be a man’s or a woman’s reason for taking literature as a vocation, what sort of success ought they to desire, what sort of ambition should possess them? These are natural questions, now that so many readers exist in the world, all asking for something new, now that so many writers are making their pens “in running to devour the way” over so many acres of...
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FOREWORD Having recently passed into what my great-grandson Shem calls my Anecdotage, it has occurred to me that perhaps some of the recollections of a more or less extended existence upon this globular mass of dust and water that we are pleased to call the earth, may prove of interest to posterity, and I have accordingly, at the earnest solicitation of my grandson, Noah, and his sons, Shem, Ham and...
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Bret Harte
RUDOLPH OF TRULYRURALANIA When I state that I was own brother to Lord Burleydon, had an income of two thousand a year, could speak all the polite languages fluently, was a powerful swordsman, a good shot, and could ride anything from an elephant to a clotheshorse, I really think I have said enough to satisfy any feminine novel-reader of Bayswater or South Kensington that I was a hero. My brother's...
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Stephen Leacock
Act I.—Behind the Beyond THE curtain rises, disclosing the ushers of the theater still moving up and down the aisles. Cries of "Program!" "Program!" are heard. There is a buzz of brilliant conversation, illuminated with flashes of opera glasses and the rattle of expensive jewelry. Then suddenly, almost unexpectedly, in fact just as if done, so to speak, by machinery, the lights all...
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Stephen Leacock
(I) AN IRREDUCIBLE DETECTIVE STORY HANGED BY A HAIR OR A MURDER MYSTERY MINIMISED The mystery had now reached its climax. First, the man had been undoubtedly murdered. Secondly, it was absolutely certain that no conceivable person had done it. It was therefore time to call in the great detective. He gave one searching glance at the corpse. In a moment he whipped out a microscope. "Ha! ha!" he...
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Stephen Leacock
II—HOW TO OPEN A CONVERSATION After the ceremony of introduction is completed the next thing to consider is the proper way to open a conversation. The beginning of conversation is really the hardest part. It is the social equivalent to "going over the top." It may best be studied in the setting and surroundings of the Evening Reception, where people stand upright and agonise, balancing a dish...
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HUMOUR OF THE NORTH THE BLUE NOSE Let the Student of Nature in rapture descant, On the Heaven's cerulean hue; Let the Lover indulge in poetical rant, When the eyes of his Mistress are blue. But fill high your glasses—fill, fill to the brim, I've a different toast to propose: While such eyes, and such skies, still are beaming for him, Here's a health to the jolly Blue Nose. Let the...
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Robert Seymour
"Shoot away, Bill! never mind the old woman—she can't get over the wall to us." One day two urchins gotA pistol, powder, horn, and shot,And proudly forth they wentOn sport intent."Oh, Tom! if we should shoot a hare,"Cried one,The elder son,"How father, sure, would stare!""Look there! what's that?""Why, as I live, a cat,"Cried Bill, "'tis...
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