General Books

LECTURE I. THE DISCOVERY AND APPLICATION OF ART. A Lecture delivered at Manchester, July 10, 1857. 1. Among the various characteristics of the age in which we live, as compared with other ages of this not yet very experienced world, one of the most notable appears to me to be the just and wholesome contempt in which we hold poverty. I repeat, the just and wholesome contempt; though I see that some of... more...

Perhaps the most important part of Criticism is the fact that it presents to the creator a problem which is never solved. Criticism is to him a perpetual Presence: or perhaps a ghost which he will not succeed in laying. If he could satisfy his mind that Criticism was a certain thing: a good thing or a bad, a proper presence or an irrelevant, he could psychologically dispose of it. But he can not. For... more...

I THE AESTHETIC HYPOTHESIS It is improbable that more nonsense has been written about aesthetics than about anything else: the literature of the subject is not large enough for that. It is certain, however, that about no subject with which I am acquainted has so little been said that is at all to the purpose. The explanation is discoverable. He who would elaborate a plausible theory of aesthetics must... more...

ARTIST AND PUBLIC In the history of art, as in the history of politics and in the history of economics, our modern epoch is marked off from all preceding epochs by one great event, the French Revolution. Fragonard, who survived that Revolution to lose himself in a new and strange world, is the last at the old masters; David, some sixteen years his junior, is the first of the moderns. Now if we look for... more...

ESSAYS ON ART "The Adoration of the Magi" There is one beauty of nature and another of art, and many attempts have been made to explain the difference between them. Signor Croce's theory, now much in favour, is that nature provides only the raw material for art. The beginning of the artistic process is the perception of beauty in nature; but an artist does not see beauty as he sees a cow.... more...

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PREFACE TO THE EDITION OF 1887. The following lectures were the most important piece of my literary work done with unabated power, best motive, and happiest concurrence of circumstance. They were written and delivered while my mother yet lived, and had vividest sympathy in all I was attempting;—while also my friends put unbroken trust in me, and the course of study I had followed seemed to fit me for... more...

THE NATIONAL GALLERY SITE COMMISSION. Evidence of John Ruskin, Monday, April 6, 1857. 114. Chairman. Has your attention been turned to the desirableness of uniting sculpture with painting under the same roof?—Yes. What is your opinion on the subject?—I think it almost essential that they should be united, if a National Gallery is to be of service in teaching the course of art. Sculpture of all... more...

BLACK AND WHITE If there be nothing new under the sun there are some things a good deal less old than others. The illustration of books, and even more of magazines, may be said to have been born in our time, so far as variety and abundance are the signs of it; or born, at any rate, the comprehensive, ingenious, sympathetic spirit in which we conceive and practise it. If the centuries are ever arraigned... more...

CHAPTER I. Long after the extinction of the practical art-power evolved from the master-minds of Greece and Rome, though rudely shattered by the northern tribes, it failed not to enforce from them an admission of its grandeur. Loving, as all rude nations do, so much of art as goes to the adornment of life, they also felt that there was a still higher aim in the enlarged spirit of classic invention. It... more...