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GLOSSARY OF TECHNICAL WORDS. Abacus.—The upper portion of the capital of a column, upon which the weight to be carried rests. Aisle (Lat. ala).—The side subdivision in a church; occasionally all the subdivisions, including the nave, are called aisles. Apse.—A semicircular or polygonal termination to, or projection from, a church or other public building. Arcade.—A range of arches, supported on...
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WOODWARD'SCOUNTRY HOMES. In presenting to the public a new work on Domestic Architecture, it is our aim to furnish practical designs and plans, adapted to the requirements of such as are about to build, or remodel and improve, their Country Homes. The rapid progress in rural improvement and domestic embellishment all over the land, during the last quarter of a century, is evident to the...
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by:
Walter Crane
PREFACE As in the case of "The Bases of Design," to which this is intended to form a companion volume, the substance of the following chapters on Line and Form originally formed a series of lectures delivered to the students of the Manchester Municipal School of Art. There is no pretension to an exhaustive treatment of a subject it would be difficult enough to exhaust, and it is dealt with in a...
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CHAPTER I THE ORIGIN OF THE CHURCH PLAN IN ENGLAND § 1. Side by side with the establishment of Christianity as the religion of the Roman empire, there appeared a fully developed plan for places of Christian worship. The normal Christian church of the fourth century of our era was an aisled building with the entrance at one end, and a semi-circular projection known as the apse at the other. The body of...
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LETTER I. From the Architect. EVERY MAN SHOULD HAVE A HOME. My Dear John: Now that your "ship" is at last approaching the harbor, I am confident your first demonstration in honor of its arrival will be building yourself a house; exchanging your charmingly good-for-nothing air-castle for an actual flesh-and-blood, matter-of-fact dwelling-house, two-storied and French-roofed it may be, with...
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Whatever is good in interior decoration is the result of consistent relationship between Light, Color, Form, Proportion and Dimensions. The choice of Color should be guided by the conditions of Light. The beauty of Form and the symmetry of Proportion can exist only by a balance with Dimensions. Therefore, apart from any knowledge of historic or period decoration, effective or successful work must...
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