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CHAPTER I. A WISE FATHER AND A GLAD SON-IN-LAW. mong the wedding-presents was a small white envelope containing two smaller slips of paper. On one of these, which was folded around the other, was written, "A New House, From Father." The enclosed slip was a bank-check, duly stamped and endorsed. Did any old wizard's magic-box ever hold greater promise in smaller compass! Certainly not more...
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by:
Candace Wheeler
CHAPTER I DECORATION AS AN ART "Who creates a Home, creates a potent spirit which in turn doth fashion him that fashioned." Probably no art has so few masters as that of decoration. In England, Morris was for many years the great leader, but among his followers in England no one has attained the dignity of unquestioned authority; and in America, in spite of far more general practice of the art,...
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CHAPTER I THE ORIGIN OF THE CHURCH PLAN IN ENGLAND ยง 1. Side by side with the establishment of Christianity as the religion of the Roman empire, there appeared a fully developed plan for places of Christian worship. The normal Christian church of the fourth century of our era was an aisled building with the entrance at one end, and a semi-circular projection known as the apse at the other. The body of...
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INTRODUCTION. The textile art is one of the most ancient known, dating back to the very inception of culture. In primitive times it occupied a wide field, embracing the stems of numerous branches of industry now expressed in other materials or relegated to distinct systems of construction. Accompanying the gradual narrowing of its sphere there was a steady development with the general increase of...
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by:
Frank Cousins
Foreword So many books have been published which are devoted wholly or in part to the fine old Colonial residences and public buildings of Philadelphia, including Germantown, that it might seem almost the part of temerity to suppose there could be a place for another one. A survey of the entire list, however, discloses the fact that almost without exception these books are devoted primarily to a...
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PREFACE. The aim of this work has been to sketch the various periods and styles of architecture with the broadest possible strokes, and to mention, with such brief characterization as seemed permissible or necessary, the most important works of each period or style. Extreme condensation in presenting the leading facts of architectural history has been necessary, and much that would rightly claim place...
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