CHAPTER I INTRODUCTORY There are no rules for writing a play. It is easy, indeed, to lay down negative recommendations--to instruct the beginner how not to do it. But most of these "don'ts" are rather obvious; and those which are not obvious are apt to be questionable. It is certain, for instance, that if you want your play to be acted, anywhere else than in China, you must not plan it in sixteen acts of an hour apiece; but where is the tyro... more...

INTRODUCTION. In June, 1867, about a hundred enthusiastic youths were vociferously celebrating the attainment of the baccalaureate degree at the University of Norway. The orator on this occasion was a tall, handsome, distinguished-looking young man named Alexander Kielland, from the little coast-town of Stavanger. There was none of the crudity of a provincial dither in his manners or his appearance. He spoke with a quiet self-possession and a... more...