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A man may see how this world goes with no eyes. Look with thine ears. See how yon justice rails upon yon simple thief. Hark in thine ear: Change places; and, handy-dandy, which is the justice, which is the thief? —King Lear. Among those who took the most lively interest in endeavouring to discover the person by whom young Charles Hazlewood had been waylaid and wounded was Gilbert Glossin, Esquire, late writer in ——, now Laird... more...

INTRODUCTION The Novel or Romance of Waverley made its way to the public slowly, of course, at first, but afterwards with such accumulating popularity as to encourage the Author to a second attempt. He looked about for a name and a subject; and the manner in which the novels were composed cannot be better illustrated than by reciting the simple narrative on which Guy Mannering was originally founded; but to which, in the progress of the work,... more...

INTRODUCTION TO CHRONICLES OF THE CANONGATE. The preceding volume of this Collection concluded the last of the pieces originally published under the NOMINIS UMBRA of The Author of Waverley; and the circumstances which rendered it impossible for the writer to continue longer in the possession of his incognito were communicated in 1827, in the Introduction to the first series of Chronicles of the Canongate, consisting (besides a biographical... more...

APPENDIX NO. I. THE WOODSTOCK SCUFFLE; or, Most dreadfull apparitions that were lately seene in the Mannor-house of Woodstock, neere Oxford, to the great terror and the wonderful amazement of all there that did behold them. It were a wonder if one unites,And not of wonders and strange sights;For ev'ry where such things affrightsPoore people, That men are ev'n at their wits' end;God judgments ev'ry where doth send,And yet we don't our lives... more...

INTRODUCTION—(1829) The plan of this Edition leads me to insert in this place some account of the incidents on which the Novel of WAVERLEY is founded. They have been already given to the public, by my late lamented friend, William Erskine, Esq. (afterwards Lord Kinneder), when reviewing the 'Tales of My Landlord' for the QUARTERLY REVIEW, in 1817. The particulars were derived by the Critic from the Author's information. Afterwards they... more...


Sir Walter Scott transmitted from Naples, in February, 1832, an Introduction for CASTLE DANGEROUS; but if he ever wrote one for a second Edition of ROBERT OF PARIS, it has not been discovered among his papers. Some notes, chiefly extracts from the books which he had been observed to consult while dictating this novel, are now appended to its pages; and in addition to what the author had given in the shape of historical information respecting the... more...

AN INCIDENT The dinner hour of Scotland Sixty Years Since was two o'clock. It was therefore about four o'clock of a delightful autumn afternoon that Mr. Gilfillan commenced his march, in hopes, although Stirling was eighteen miles distant, he might be able, by becoming a borrower of the night for an hour or two, to reach it that evening. He therefore put forth his strength, and marched stoutly along at the head of his followers, eyeing our hero... more...

It has long been the ambition of the present publishers to offer to the public an ideal edition of the writings of Sir Walter Scott, the great poet and novelist of whom William Hazlitt said, 'His works are almost like a new edition of human nature.' Secure in the belief not only that his writings have achieved a permanent place in the literature of the world, but that succeeding generations will prize them still more highly, we have, after the... more...

It has long been the ambition of the present publishers to offer to the public an ideal edition of the writings of Sir Walter Scott, the great poet and novelist of whom William Hazlitt said, 'His works are almost like a new edition of human nature.' Secure in the belief not only that his writings have achieved a permanent place in the literature of the world, but that succeeding generations will prize them still more highly, we have, after the... more...

GENERAL PREFACE TO THE WAVERLEY NOVELS And must I ravel outMy weaved-up follies?                       Richard II, Act IV. Having undertaken to give an Introductory Account of the compositions which are here offered to the public, with Notes and Illustrations, the Author, under whose name they are now for the first time collected, feels... more...