CUCHULAIN AND HIS CYCLE The Church when it was most powerful taught learned and unlearned to climb, as it were, to the great moral realities through hierarchies of Cherubim and Seraphim, through clouds of Saints and Angels who had all their precise duties and privileges. The story-tellers of Ireland, perhaps of every primitive country, imagined as fine a fellowship, only it was to the æsthetic realities they would have had us climb. They... more...

SCENE 1 SCENE—A room with lighted fire, and a door into the open air, through which one sees, perhaps, the trees of a wood, and these trees should be painted in flat colour upon a gold or diapered sky. The walls are of one colour. The scene should have the effect of missal Painting. MARY, a woman of forty years or so, is grinding a quern. MARY. What can have made the grey hen flutter so? (TEIG, a boy of fourteen, is coming in with turf,... more...

THIS BOOK I I have desired, like every artist, to create a little world out of the beautiful, pleasant, and significant things of this marred and clumsy world, and to show in a vision something of the face of Ireland to any of my own people who would look where I bid them. I have therefore written down accurately and candidly much that I have heard and seen, and, except by way of commentary, nothing that I have merely imagined. I have, however,... more...

J.M. SYNGE AND THE IRELAND OF HIS TIME On Saturday, January 26th, 1907, I was lecturing in Aberdeen, and when my lecture was over I was given a telegram which said, 'Play great success.' It had been sent from Dublin after the second Act of 'The Playboy of the Western World,' then being performed for the first time. After one in the morning, my host brought to my bedroom this second telegram, 'Audience broke up in disorder at the word shift.' I... more...

RED HANRAHAN. Hanrahan, the hedge schoolmaster, a tall, strong, red-haired young man, came into the barn where some of the men of the village were sitting on Samhain Eve. It had been a dwelling-house, and when the man that owned it had built a better one, he had put the two rooms together, and kept it for a place to store one thing or another. There was a fire on the old hearth, and there were dip candles stuck in bottles, and there was a black... more...

REVERIES OVER CHILDHOOD AND YOUTH   y first memories are fragmentary and isolated and contemporaneous, as though one remembered vaguely some early day of the Seven Days. It seems as if time had not yet been created, for all are connected with emotion and place and without sequence. I remember sitting upon somebody’s knee, looking out of a window at a wall covered with cracked and falling plaster, but what wall I do not remember, and... more...

Scene I. A Little Moorish Room in the Village of Azubia.In the centre of the room a chafing dish. Mosada. [alone] Three times the roses have grown less and less,As slowly Autumn climbed the golden throneWhere sat old Summer fading into song,And thrice the peaches flushed upon the walls,And thrice the corn around the sickles flamed,Since 'mong my people, tented on the hills,He stood a messenger. In April's prime(Swallows were flashing their... more...

IN THE SEVEN WOODS. I have heard the pigeons of the Seven Woods Make their faint thunder, and the garden bees Hum in the lime tree flowers; and put away The unavailing outcries and the old bitterness That empty the heart. I have forgot awhile Tara uprooted, and new commonness Upon the throne and crying about the streets And hanging its paper flowers from post to post, Because it is alone of all things happy. I am contented for... more...

WHAT IS ‘POPULAR POETRY’? I think it was a Young Ireland Society that set my mind running on ‘popular poetry.’ We used to discuss everything that was known to us about Ireland, and especially Irish literature and Irish history. We had no Gaelic, but paid great honour to the Irish poets who wrote in English, and quoted them in our speeches. I could have told you at that time the dates of the birth and death, and quoted the... more...

At the end of the eighties my father and mother, my brother and sisters and myself, all newly arrived from Dublin, were settled in Bedford Park in a red-brick house with several wood mantlepieces copied from marble mantlepieces by the brothers Adam, a balcony, and a little garden shadowed by a great horse-chestnut tree. Years before we had lived there, when the crooked, ostentatiously picturesque streets, with great trees casting great shadows,... more...