CHAPTER I. AN OLD MONASTERY "Come, deputy of the Centre, forward! Quick step! march! if we want to be in time to dine with the others. Jump, marquis! there, that's right! why, you can skip across a stubble-field like a deer!" These words were said by a huntsman peacefully seated at the edge of the forest of Ile-Adam, who was finishing an Havana cigar while waiting for his companion, who had lost his way in the tangled underbrush of the wood. At... more...

A PASSION IN THE DESERT "The whole show is dreadful," she cried coming out of the menagerie of M. Martin. She had just been looking at that daring speculator "working with his hyena,"—to speak in the style of the programme. "By what means," she continued, "can he have tamed these animals to such a point as to be certain of their affection for——" "What seems to you a problem," said I, interrupting, "is really quite natural."... more...

CHAPTER I. THE TWO MARIES In one of the finest houses of the rue Neuve-des-Mathurins, at half-past eleven at night, two young women were sitting before the fireplace of a boudoir hung with blue velvet of that tender shade, with shimmering reflections, which French industry has lately learned to fabricate. Over the doors and windows were draped soft folds of blue cashmere, the tint of the hangings, the work of one of those upholsterers who have... more...

ACT I SCENE FIRST (A richly decorated drawing-room; on the walls are portraits of Napoleon I. and his son. The entry is by a large double glass door, which opens on a roofed veranda and leads by a short stairway to a park. The door of Pauline's apartments are on the right; those of the General and his wife are on the left. On the left side of the central doorway is a table, and on the right is a cabinet. A vase full of flowers stands by the... more...

A TREATISE ON MARITAL POLICY. When a man reaches the position in which the first part of this book sets him, we suppose that the idea of his wife being possessed by another makes his heart beat, and rekindles his passion, either by an appeal to his amour propre, his egotism, or his self-interest, for unless he is still on his wife's side, he must be one of the lowest of men and deserves his fate. In this trying moment it is very difficult for a... more...

"Marriage is not an institution of nature. The family in the east is entirely different from the family in the west. Man is the servant of nature, and the institutions of society are grafts, not spontaneous growths of nature. Laws are made to suit manners, and manners vary. "Marriage must therefore undergo the gradual development towards perfection to which all human affairs submit." These words, pronounced in the presence of the Conseil d'Etat... more...

ACT I SCENE FIRST(Setting is an attic and workshop of an artificial flower-maker. It ispoorly lighted by means of a candle placed on the work-table. Theceiling slopes abruptly at the back allowing space to conceal a man.On the right is a door, on the left a fireplace. Pamela is discoveredat work, and Joseph Binet is seated near her.)Pamela, Joseph Binet and later Jules Rousseau. PamelaMonsieur Joseph Binet!JosephMademoiselle Pamela... more...

INTRODUCTION The two Analytical Studies, Physiology of Marriage and Petty Troubles of Married Life, belong quite apart from the action of the Comedie Humaine, and can only be included therein by virtue of a special dispensation on the part of their author, who made for them an eighth division therein, thus giving them a local habitation and a name. Although they come far down in the list of titles, their creation belongs almost to the formative... more...