Non-Classifiable Books

I THE WORLD OF DU MAURIER §1 We have in the portfolio of du Maurier the epic of the drawing-room. Many of the Victorians, including the Queen, and Alfred Lord Tennyson, seem to have viewed life from the drawing-room window. They gazed straight across the room from the English hearthrug as from undoubtedly the greatest place on earth. They were probably right. But some of this confidence has gone.... more...

INTRODUCTION "WEDNESDAY 19 JANUARY [1763]. This was a day eagerly expected by Dempster, Erskine, and I, as it was fixed as the period of our gratifying a whim proposed by me: which was that on the first day of the new Tragedy called Elvira's being acted, we three should walk from the one end of London to the other, dine at Dolly's, & be in the Theatre at night; & as the Play would... more...

FIRST CHILD TO JOSHUA F. SPEED. SPRINGFIELD, May 18, 1843. DEAR SPEED:—Yours of the 9th instant is duly received, which I do not meet as a "bore," but as a most welcome visitor. I will answer the business part of it first. In relation to our Congress matter here, you were right in supposing I would support the nominee. Neither Baker nor I, however, is the man, but Hardin, so far as I can... more...

I. WITH DU MAURIER AND FRIENDS. "I well remember" my first meeting with du Maurier in the class-rooms of the famous Antwerp Academy. I was painting and blagueing, as one paints and blagues in the storm and stress period of one's artistic development. It had been my good fortune to commence my studies in Paris; it was there, in the atelier Gleyre, I had cultivated, I think I may say, very... more...

INTRODUCTION It cannot be denied that the academic expression "Literature" is an ill-favoured word. It involuntarily calls up the Antithesis of Life, of Personal Experience, of the Simple Expression of Thought and Feeling. With what scorn does Verlaine exclaim in his Poems: "And the Rest is only Literature." The word is not employed here in Verlaine's sense. The Impersonal is to be... more...

CHAPTER I STYLE IN PEN DRAWING Art, with its finite means, cannot hope to record the infinite variety and complexity of Nature, and so contents itself with a partial statement, addressing this to the imagination for the full and perfect meaning. This inadequation, and the artificial adjustments which it involves, are tolerated by right of what is known as artistic convention; and as each art has its... more...

Rembrandt's Etching Technique: An Example A Rembrandt print in the collection of the Smithsonian Institution has been made the subject of a study of the artist's etching technique. The author is associate curator, division of graphic arts, in the Smithsonian Institution's Museum of History and Technology. All footnotes appear at the end of this paper. Rembrandt's print, Landscape... more...

INTRODUCTION This book with its sad, reiterated story of wrong and oppression is an indictment and an appeal. It is an indictment of the system which produces results so pitiful. It is an appeal to Christian womanhood to right these wrongs and enlighten this darkness by sacrifice and service. At the recent Mohammedan Educational Conference in Bombay the president of the gathering, the Agha Khan,... more...

I. Florentine painting between Giotto and Michelangelo contains the names of such artists as Orcagna, Masaccio, Fra Filippo, Pollaiuolo, Verrocchio, Leonardo, and Botticelli. Put beside these the greatest names in Venetian art, the Vivarini, the Bellini, Giorgione, Titian, and Tintoret. The difference is striking. The significance of the Venetian names is exhausted with their significance as painters.... more...

Doctors lay by your Irksome Books And all ye Petty-Fogging Rookes Leave Quacking; and Enucleate The vertues of our Chocolate. Let th’ Universall Medicine (Made up of Dead-mens Bones and Skin,)Be henceforth Illegitimate,And yeild to Soveraigne-Chocolate. Let Bawdy-Baths be us’d no more;Nor Smoaky-Stoves but by the whoreOf Babilon: since Happy-Fate Hath Blessed us with Chocolate. Let old Punctæus... more...