Non-Classifiable
- Non-Classifiable 1768
Non-Classifiable Books
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by:
Herbert Cook
CHAPTER I Apart from tradition, very few ascertained facts are known to us as to Giorgione's life. The date of his birth is conjectural, there being but Vasari's unsupported testimony that he died in his thirty-fourth year. Now we know from unimpeachable sources that his death happened in October-November 1510, so that, assuming Vasari's statement to be correct, Giorgione will have been...
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by:
George Smith
Part I.—Rambles in Gipsydom. The origin of the Gipsies, as to who they are; when they became regarded as a peculiar race of wandering, wastrel, ragamuffin vagabonds; the primary object they had in view in setting out upon their shuffling, skulking, sneaking, dark pilgrimage; whether they were driven at the point of the sword, or allured onwards by the love of gold, designing dark deeds of plunder,...
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by:
Patrick Henry
Patrick Henry, March 23, 1775. No man thinks more highly than I do of the patriotism, as well as abilities, of the very worthy gentlemen who have just addressed the House. But different men often see the same subject in different lights; and, therefore, I hope it will not be thought disrespectful to those gentlemen if, entertaining as I do opinions of a character very opposite to theirs, I shall speak...
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It is convenient to start with the conception that glaucoma is increased tension of the eyeball, plus the causes and effects of such increase; although a broad survey of the facts may reveal a clinical entity to be called glaucoma, without increased tension constantly or necessarily present, and cases of increased intra-ocular tension not to be classed as glaucoma. The physiologic tension of the...
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INTRODUCTION "Come now and let us reason together, saith the Lord."—Isaiah. "If any man willeth to do his will, he shall know of the teaching, whether it is of God, or whether I speak from my self."—Jesus. "And ye shall seek me and find me when ye shall search for me with all your heart."—Jeremiah. "Then shall we know if we follow on to know the Lord."—Hosea....
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CHAPTER I. INTRODUCTORY.—PROGRESS IN MYSORE. As I now turn my thoughts back to the year 1855, when, being then in my eighteenth year, I sailed for India to seek my fortunes in the jungles of Mysore, it is difficult to believe that the journey is still the same, or that India is still the same country on the shores of which I landed so long ago. But after all, as a matter of fact, the journey is,...
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Rules and Explanation of Terms. The following Designs are formed by a very simple combination of Tatting and Crochet, the more elaborate style of both Works being avoided, so that any Lady with a knowledge of the first rules of each Art will be able to accomplish the patterns without the least difficulty, the Stars and Diamonds being made in Tatting and afterwards worked round with loops of chain...
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by:
Robert L. Taylor
"THE FIDDLE AND THE BOW." I heard a great master play on the wondrous violin; his bow quivered like the wing of a bird; in every quiver there was a melody, and every melody breathed a thought in language sweeter than was ever uttered by human tongue. I was conjured, I was mesmerized by his music. I thought I fell asleep under its power, and was rapt into the realm of visions and dreams. The...
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INTRODUCTION In preparing this, his latest volume, the author found himself embarrassed from the beginning, because of the large amount of material which came into his hands, and the consequent difficulty of selection and condensation. There is not a chapter which might not have been extended to twice its present length, nor a fact stated, or argument used, which might not have been supplemented by...
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RAPHAEL SANTI“THE PERFECT ARTIST, THE PERFECT MAN.” We are about to study Raphael, the most generally praised, the most beautiful, and certainly the most loved of all the painters of the world. When all these delightful things can be truthfully said of one man, surely we may look forward with pleasure to a detailed study of his life and works. Often in examining the lives of great men we are...
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