Non-Classifiable Books

THE DOCTRINE OF FASCISM Benito Mussolini From the Encyclopedia Italiana. Vol. XIV The English translation of the "Fundamental Ideas" is by Mr. I.S. Munro, reprinted by his kind permission from "Fascism to World-Power" (Alexander Maclehose, London, 1933). FUNDAMENTAL IDEAS. 1. Philosophic Conception. Like every concrete political conception, Fascism is thought and action. It is action... more...

Were a former inhabitant of this country who had quitted the stage of life towards the close of last century to reappear in our midst, he could not fail to be struck with the wonderful changes which have taken place in the aspect of things; in the methods of performing the tasks of daily life; and in the character of our social system generally. Nor is it too much to say that he would see himself... more...

INTRODUCTION It was about a decade ago that Professor E.R.A. Seligman of Columbia University published his valuable work on the "Economic Interpretation of History," which gave a great impetus to the study, by historians, of the economic influences upon political and social development. Professor Seligman showed conclusively that one of the most potent forces in the growth of civilization has... more...

INTRODUCTION. Definition of Soap—Properties—Hydrolysis—Detergent Action. It has been said that the use of soap is a gauge of the civilisation of a nation, but though this may perhaps be in a great measure correct at the present day, the use of soap has not always been co-existent with civilisation, for according to Pliny (Nat. Hist., xxviii., 12, 51) soap was first introduced into Rome from... more...

CHAPTER IEARLY LIFE IN ALDEBURGH(1754-1780)Two eminent English poets who must be reckoned moderns though each produced characteristic verse before the end of the eighteenth century, George Crabbe and William Wordsworth, have shared the common fate of those writers who, possessing a very moderate power of self-criticism, are apparently unable to discriminate between their good work and their bad. Both... more...

I THE WORLD OF DU MAURIER §1 We have in the portfolio of du Maurier the epic of the drawing-room. Many of the Victorians, including the Queen, and Alfred Lord Tennyson, seem to have viewed life from the drawing-room window. They gazed straight across the room from the English hearthrug as from undoubtedly the greatest place on earth. They were probably right. But some of this confidence has gone.... more...

INTRODUCTION. In the Introduction to the first volume of the translation of the 'Vedânta-Sûtras with Sankara's Commentary' (vol. xxxiv of this Series) I have dwelt at some length on the interest which Râmânuja's Commentary may claim—as being, on the one hand, the fullest exposition of what may be called the Theistic Vedânta, and as supplying us, on the other, with means of... more...

Rembrandt's Etching Technique: An Example A Rembrandt print in the collection of the Smithsonian Institution has been made the subject of a study of the artist's etching technique. The author is associate curator, division of graphic arts, in the Smithsonian Institution's Museum of History and Technology. All footnotes appear at the end of this paper. Rembrandt's print, Landscape... more...

I. Florentine painting between Giotto and Michelangelo contains the names of such artists as Orcagna, Masaccio, Fra Filippo, Pollaiuolo, Verrocchio, Leonardo, and Botticelli. Put beside these the greatest names in Venetian art, the Vivarini, the Bellini, Giorgione, Titian, and Tintoret. The difference is striking. The significance of the Venetian names is exhausted with their significance as painters.... more...

CHAPTER I. Project—On the stocks—Profile—Afloat alone—Smart lads—Swinging—Anchors—Happy boys—Sea reach—Good looks—Peep below—Important trifles—In the well—Chart—Watch on deck—Eating an egg—Storm sail. It was a strange and pleasant life for me all the summer, sailing entirely alone by sea and river fifteen hundred miles, and with its toils, perils, and adventures heartily... more...