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Showing: 11-20 results of 36

LIGHT, COLOR, FORM, PROPORTIONAND DIMENSIONS Whatever is good in interior decoration is the result of consistent relationship between Light, Color, Form, Proportion and Dimensions. The choice of Color should be guided by the conditions of Light. The beauty of Form and the symmetry of Proportion can exist only by a balance with Dimensions. Therefore, apart from any knowledge of historic or period decoration, effective or successful work must... more...

Egypt and Greece The early history of art in all countries is naturally connected more closely with architecture than with decoration, for architecture had to be developed before the demand for decoration could come. But the two have much in common. Noble architecture calls for noble decoration. Decoration is one of the natural instincts of man, and from the earliest records of his existence we find him striving to give expression to it, we... more...

LETTER I. From the Architect. EVERY MAN SHOULD HAVE A HOME.   My Dear John: Now that your "ship" is at last approaching the harbor, I am confident your first demonstration in honor of its arrival will be building yourself a house; exchanging your charmingly good-for-nothing air-castle for an actual flesh-and-blood, matter-of-fact dwelling-house, two-storied and French-roofed it may be, with all the modern improvements. In many... more...

CHAPTER I BEFORE THE MEAL IS SERVED Before the meal which is to be served comes from the kitchen by way of the butler's pantry to the dining room, there are many things to be considered. The preparation of the meal (not the process of its cooking, but its planning as a composite whole) and all the various details which precede the actual sitting down at the table of those who expect to enjoy it, must be seen to. The preparation of the meal, its... more...

CHAPTER I Why Live in the Country? The urge to live in the country besets most of us sooner or later. Spring with grass vividly green, buds bursting and every pond a bedlam of the shrill, rhythmic whistle of frogs, is the most dangerous season. Some take a walk in the park. Others write for Strout's farm catalogues, read them hungrily and are well. But there are the incurables. Their fever is fed for months and years by the discomforts and... more...


PREFACE As in the case of "The Bases of Design," to which this is intended to form a companion volume, the substance of the following chapters on Line and Form originally formed a series of lectures delivered to the students of the Manchester Municipal School of Art. There is no pretension to an exhaustive treatment of a subject it would be difficult enough to exhaust, and it is dealt with in a way intended to bear rather upon the practical... more...

INTRODUCTORY. For the investigation of art in its early stages and in its widest sense—there is probably no fairer field than that afforded by aboriginal America, ancient and modern. At the period of discovery, art at a number of places on the American continent seems to have been developing surely and steadily, through the force of the innate genius of the race, and the more advanced nations were already approaching the threshold of... more...

INTRODUCTION. However much we may admire, considered purely as art, the Pagan temples of the Greeks and Romans, we must confess that they are lacking in those high ideals and those sustained and inspired motives which seem to penetrate and permeate the buildings and churches of the Christian era. Perfect as is Greek art within its somewhat narrow limits, it is, nevertheless, cold, precise and lifeless. The Gothic buildings on the contrary are... more...

INTRODUCTION No one can look at a map of the Iberian Peninsula without being struck by the curious way in which it is unequally divided between two independent countries. Spain occupies by far the larger part of the Peninsula, leaving to Portugal only a narrow strip on the western seaboard some one hundred miles wide and three hundred and forty long. Besides, the two countries are separated the one from the other by merely artificial boundaries.... more...

CHAPTER I DECORATION AS AN ART "Who creates a Home, creates a potent spirit which in turn doth fashion him that fashioned." Probably no art has so few masters as that of decoration. In England, Morris was for many years the great leader, but among his followers in England no one has attained the dignity of unquestioned authority; and in America, in spite of far more general practice of the art, we still are without a leader whose very name... more...