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LETTER I. From the Architect. EVERY MAN SHOULD HAVE A HOME. My Dear John: Now that your "ship" is at last approaching the harbor, I am confident your first demonstration in honor of its arrival will be building yourself a house; exchanging your charmingly good-for-nothing air-castle for an actual flesh-and-blood, matter-of-fact dwelling-house, two-storied and French-roofed it may be, with...
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Vitruvius Pollio
PREFACE During the last years of his life, Professor Morgan had devoted much time and energy to the preparation of a translation of Vitruvius, which he proposed to supplement with a revised text, illustrations, and notes. He had completed the translation, with the exception of the last four chapters of the tenth book, and had discussed, with Professor Warren, the illustrations intended for the first...
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WOODWARD'SCOUNTRY HOMES. In presenting to the public a new work on Domestic Architecture, it is our aim to furnish practical designs and plans, adapted to the requirements of such as are about to build, or remodel and improve, their Country Homes. The rapid progress in rural improvement and domestic embellishment all over the land, during the last quarter of a century, is evident to the...
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Preface "A thousand years ago, by the rim of a tiny spring, a monk who had avowed himself to the cult of Saint Saturnin, robed, cowled and sandalled, knelt down to say a prayer to his beloved patron saint. Again he came, this time followed by more of his kind, and a wooden cross was planted by the side of the "Fontaine Belle Eau," by this time become a place of pious pilgrimage. After the...
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Egypt and Greece The early history of art in all countries is naturally connected more closely with architecture than with decoration, for architecture had to be developed before the demand for decoration could come. But the two have much in common. Noble architecture calls for noble decoration. Decoration is one of the natural instincts of man, and from the earliest records of his existence we find...
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Walter S. George
PREFACE This volume is a sequel to the work I published, several years ago, under the title, Byzantine Constantinople: the Walls of the City, and adjoining Historical Sites. In that work the city was viewed, mainly, as the citadel of the Roman Empire in the East, and the bulwark of civilization for more than a thousand years. But the city of Constantine was not only a mighty fortress. It was, moreover,...
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Whatever is good in interior decoration is the result of consistent relationship between Light, Color, Form, Proportion and Dimensions. The choice of Color should be guided by the conditions of Light. The beauty of Form and the symmetry of Proportion can exist only by a balance with Dimensions. Therefore, apart from any knowledge of historic or period decoration, effective or successful work must...
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Walter Crane
PREFACE As in the case of "The Bases of Design," to which this is intended to form a companion volume, the substance of the following chapters on Line and Form originally formed a series of lectures delivered to the students of the Manchester Municipal School of Art. There is no pretension to an exhaustive treatment of a subject it would be difficult enough to exhaust, and it is dealt with in a...
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GLOSSARY OF TECHNICAL WORDS. Abacus.—The upper portion of the capital of a column, upon which the weight to be carried rests. Aisle (Lat. ala).—The side subdivision in a church; occasionally all the subdivisions, including the nave, are called aisles. Apse.—A semicircular or polygonal termination to, or projection from, a church or other public building. Arcade.—A range of arches, supported on...
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