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Chivalry



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The Prologue À sa Dame

 

nasmuch as it was by your command, illustrious and exalted lady, that I have gathered together these stories to form the present little book, you should the less readily suppose I have presumed to dedicate to your Serenity this trivial offering because of my esteeming it to be not undeserving of your acceptance. The truth is otherwise; and your postulant now approaches as one not spurred toward you by vainglory but rather by plain equity, and simply in acknowledgment of the fact that he who seeks to write of noble ladies must necessarily implore at outset the patronage of her who is the light and mainstay of our age. In fine, I humbly bring my book to you as Phidyle approached another and less sacred shrine, farre pio et salente mica, and lay before you this my valueless mean tribute not as appropriate to you but as the best I have to offer.

It is a little book wherein I treat of divers queens and of their love-business; and with necessitated candor I concede my chosen field to have been harvested, and even scrupulously gleaned, by many writers of innumerable conditions. Since Dares Phrygius wrote of Queen Heleine and Virgil (that shrewd necromancer) of Queen Dido, a preponderating mass of clerks, in casting about for high and serious matter, have chosen, as though it were by common instinct, to dilate upon the amours of royal women. Even in romance we scribblers must contrive it so that the fair Nicolette shall be discovered in the end to be no less than the King's daughter of Carthage, and that Sir Doon of Mayence shall never sink in his love-affairs beneath the degree of a Saracen princess; and we are backed in this old procedure not only by the authority of Aristotle but, oddly enough, by that of reason as well.

Kings have their policies and wars wherewith to drug each appetite. But their consorts are denied these makeshifts; and love may rationally be defined as the pivot of each normal woman's life, and in consequence as the arbiter of that ensuing life which is eternal. Because—as of old Horatius Flaccus demanded, though not, to speak the truth, of any woman,—

Quo fugis? ah demons! nulla est fuga, tu licet usqueAd Tanaim fugias, usque sequetur amor.

And a dairymaid, let us say, may love whom she will, and nobody else be a penny the worse for her mistaking of the preferable nail whereon to hang her affections; whereas with a queen this choice is more portentous. She plays the game of life upon a loftier table, ruthlessly illuminated, and stakes by her least movement a tall pile of counters, some of which are, of necessity, the lives and happiness of persons whom she knows not, unless it be by vague report. Grandeur sells itself at this hard price, and at no other. A queen must always play, in fine, as the vicar of destiny, free to choose but very certainly compelled to justify that choice in the ensuing action; as is strikingly manifested by the authentic histories of Brunhalt, and of Guenevere, and of swart Cleopatra, and of many others that were born to the barbaric queenhoods of a now extinct and dusty time....